JVC GY-HD110U High Definition 3-CCD MiniDV Professional Camcorder with 16x ProHD Fujinon Lens

List Price: $6,295.00

Product Details Three newly-developed, 1/3-inch CCDs with 1280 x 720 (square) pixels HD Focus Assist makes focusing faster and more precise Dual media option; record to disk and tape simultaneously High-definition recording at 24 frames per second

Product Description

Artifact Model: GY-HD110U

Product Name: GY-HD110U ProHD Digital Camcorder

Marketing Facts:

JVC"s ProHD opens up the world of HD digital cinematography with the introduction of the GY-HD110U. Exactly high definition recording on inexpensive and reliable tape, or optionally onto rugged disk, and real 24 frame progressive capture give this camera scene characteristics found only in high end cinematography cameras.

Product Type: Digital Camcorder

Flash & Graphics

Display Screen: 3.5" Active Matrix TFT Flush LCD

Image Sensor: 3 x 0.33" CCD

Total Resolution: 3.33 Megapixels

Lens

Lens Typeface:

Fujinon Th16x5.5BRM Zoom Lens:

Focal Length: 5.5 - 88mm

Visual Zoom: 16x

Audio

Microphone Type: Stereo

Video

Video Signals: NTSC

Storage

Recording Media: MiniDV

Storage Media: 1 x Immune Digital (SD) Card Supported

Interfaces/Ports

Interfaces/Ports: 1 x Composite Video Productivity

Interfaces/Ports: 3 x Component Video Output

Interfaces/Ports: 2 x Audio Input

Interfaces/Ports: 1 x Audio Generate

Interfaces/Ports: 2 x Headphone

Interfaces/Ports: 1 x 6 pin IEEE 1394

Interfaces/Ports: 1 x DC Power Input

Fleshly Characteristics

Dimensions: 9.13" Height x 9.25" Width x 12.4" Bottomless pit

Weight: 6.9 lb - including lens (Th16x5.5BRMU), viewfinder, mobile, microphone and tape

Warranty

Standard Warranty: 1 Year(s) Restricted

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Customer Reviews

Ruffian as Nails
I've had this camera for three years. I've dropped it twice onto unfalteringly-packed dirt. One impact landed directly on the lens from about four feet and resulted only in a stiffening of the front cynosure clear ring. No other detectable damage. Another time I was steadicaming with it, running down a steep trail and I tripped. The camera went flying and landed again front on the lens, but this time, NO damage! What an awesome camera! And it takes beautiful 24p widescreen images and sheer sound. You couldn't ask for more.

2009-08-29 (Portland, OR United States) | Helpful Votes: 0 | Rating: 5

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Nothing but buy it now
I bought this camera (almost) when it first came out a few years ago. I paid 5 head for it on amazon and now that it has dropped to 3500, you should definitely buy it.

Like all the other reviews state, it's an incredibly true camera. It shoots native 720p HD and in 24 fps so it's great for up and coming young filmmakers that lust after to produce movies that "look" like film. The lens is amazing and probably the reason why you should get this camera. The zoom loop is smooth and can zoom in and out much much quicker than most other cameras as well as focus quicker. It's really filmmaker clubby in that sense and you can detach the lens if you wanted to sub it with another. the picture quality is almost exactly that of film (depending on how you set it) as well.

The only negatives would be that I wished that the camera would also parade the f-stop reading on the monitor but they seem to be different elements unlike cameras built by Canon and Panasonic. Also, it doesn't do so well in low delicate so make sure you are in a well lit area especially if you set the gamma settings for film-like generate.

Overall, 5 stars for me. The positives totally out-weigh the negatives. Just get it now.

2008-10-29 (Long Island, NY USA) | Helpful Votes: 1 | Rating: 5

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Recieved 2 on the fritz cameras.
I bought one of these for an indie flick that I am working on. I bought it one month early so that I would have enough time to learn everything about it. At the end of the month the right side of the cover started appearing a shade darker than the left side when viewing on an external monitor / TV (recorded to bind). I returned it to amazon and purchased a second camera... which also had the same defect (only this point it was much worse and visible on the LCD display). I spoke with a friend of mine who had the same camera and he had the same problem after his guarantee had expired which cost him $1800 to fix. After the warranty for that work had expired it started doing the demand same thing again and now he doesn't even use that camera.

Needless to say, I did not purchase a third camera but bought a Sony HVR-Z7U as contrasted with. It's a little more expensive but well worth the money. I noticed a significant increase in picture nobility right away and it has many other features that I like much more. Recording direct to compact flash cuts my editing leisure in half.

I really wanted this camera to work because it has some pretty great features for the rate, but it wasn't worth the hassle for me.

2008-06-16 | Helpful Votes: 6 | Rating: 1

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My only probs
My only problems are that adding an Anton Bauer Gold ingots Mount on this is kind of clunky...also where's the 1080i JVC?

Both of these not a problem if you upgrade to the 200...I know. Still a Excess camera!

2008-03-11 (HSV, AL) | Helpful Votes: 1 | Rating: 5

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JVC GY HD110U PRO HD Camcorder
Right 24p HD recording (same as movie film).
720p60 composite out to computer. 720p30 and DV available if considering HD. Comes crown with TV Video lens and is adaptable for additional lens' via a bayonette adapter.
Image Centre Assist is very helpful in the field and I use it often. Image smooth is available and SD save for your different set ups.
I teamed it with Pinpoint Enhancements HDD FS 4HD recorder and ADOBE software and that's it. Your ready for true film production in HD.
Full Menu and shutter adjustments and candidly style ENG/EFP shooting.
You can't go wrong with this Camera.

2007-11-09 | Lion Pro (Florida, FL USA) | Helpful Votes: 9 | Rating: 5

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JVC GY-HM100U - Camcorder - High Definition - professional - widescreen - optical zoom: 10 x -...

Product Details Native .MP4 format: Compatible with most professional non-linear editing systems Native Final Cut Pro format: Fastest HD shoot to edit workflow. Edit immediately without conversion or transcoding Full HD recording (selectable): 1920 x 1080 (1080p24/25/30, 1080i) and 1280 x 720P (p60/50/30/25/24) Records to dual SDHC memory cards (no moving parts in recording system)

Product Description

The JVC GY-HM100U is a Concentrated Handheld camcorder with performance and features found only in larger and more expensive models. It's intended to be easy to use, making it ideal for news reporters and producers. Acclimatized shooters will find that its small size lets them work in environments where larger cameras would be quixotic - all while producing recordings on par with broadcast cameras.Three newly developed 1/4-inch reformer scan CCDs - one each for red, green and blue - provide rich, scrupulous colors. To separate primary colors, JVC has incorporated a high preciseness Fujinon glass prism and the proprietary mounting technology.The GY-HM100U utilizes a great in extent definition lens by Fujinon, world leader in HD lens technology. This lens features 3 aspheric elements which underrate the weight and space required, while producing less distortion, ghosting and flare. JVC's digital timer processor (DSP) processes all images as full 1920x1080 progressive signals, providing the most image information to work with regardless of the actual recording way that is used.The GY-HM100 records on widely available SDHC Type 6 memory cards, presently available in capacities up to 32GB. The camera provides 2 thought card slots, for a total of up to 64GB of on board storage - enough for more than 6 hours of unending HD recording. The GY-HM100 records 2 channels of uncompressed LPCM (linear thumping code modulated) 16 bit audio sampled at 48Khz. Audio leve

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Customer Reviews

If you are working in FCP, this is the cam for you
JVC has made it so carefree to turn your home office into a full-fledged movie studio by using this streamlined prosumer camera in conjunction with Finishing Cut Pro. The .mov format is only the beginning -- moving media from camera to hard drive has never been easier, and the HD illustration is gorgeous. The camera features every manual option a videographer/filmmaker could ask for to create professional-looking digital pictures. I've used it for a few months already, and the investment was well worth it. If you have FCP Studio, consider dropping a few buck for this camera to end the deal. The one drawback is that battery life runs short, but buy an extra, ya cheapskate.

2010-03-01 | AmericanCaesar (New York, NY) | Helpful Votes: 4 | Rating: 5

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Far-fetched piece of equipment
This is the camera I've been waiting for for 7 years. It has everything I've wanted: Preposterous HD quality, direct MOV/Final Cut Pro-ready file creation, SDHC card operation, a decent built-in mic... It has taken the quality of the video work I'm doing to a whole new sincere. I could not be happier with this camera except if I had a 2nd one to do simultaneous 2nd camera angles in the studio...

I am trying to make my filming meriting of the quality this camera produces!

This is pricey but worth it.. so if you have the $$, don't hesitate to buy this thing, you won't be penitent.

2009-09-22 (Bay Area California) | Helpful Votes: 11 | Rating: 5

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JVC SR-DVM700US 3-in-1 Professional Series Video Recorder (MiniDV, 250GB Hard Drive, DVD)

List Price: $2,387.32

Product Details Extended recording up to 300 hours on HDD DVCAM¿ playback, RS-232C remote Simple non-linear play-list editing IEEE-1394 in/out

Product Description

The SR-DVM700 three-in-one video recorder the all-digital formats of MiniDV, 250GB HDD, and DVD in a closely-knit package complete with A-D encoding as well as various editing and dubbing capabilities.

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Customer Reviews

eulogistic solid machine
I have toughened four of these machines for well over two years in a professional setting, and have found them to be stable and reliable machines. I have used this model and the exemplar with a 160gig drive.

I felt the need to post this review because other reviews unfairly took this prime mover to task for things it is not advertised to do, i.e. simultaneous recordings on different media, and playing/recording HD media. That is like rating a toaster incompetently because it doesn't paint your house very well. Duh.....

In over 1000 hours of use each, I have had only two failures - both in DVD drives. I used these machines to supplant an expensive Pioneer Pro model that cost nearly three times as much and barely lasted a year, (merely out of warranty) which gradually lost both DVD drives ($500 apiece) and the hard drive. I also prepared at least a dozen failures with the Pioneer machine, and ended up thoroughly disgusted with it. It was supposed to account to all three drives at once, but I learned the hard way that it would fail to record to all three at once as well. Separate machines provides beat redundancy, and I haven't lost any material since I changed to these machines.

I find them reasonably easy to use, although I have yet to see one of these standard of machines (hard drive DVD combo) with a decent menu system. I commonly used these to log Distance Education classes in a studio setting, and for transferring older class supplies from VHS tapes to DVD. (All our own material - no copyright infringements, in case you wondered.) Some of the organization and menu choices can take a inconsiderable getting used to, and I never had reason to try much editing with them as we usually recorded live and usually whole blocks of days at once. We had other suites for serious editing.

They record well going from any media, MiniDV, hard drive or DVD, to the other. Settled the 60 minute limit on most MiniDv tape, they work very well copying directly from ribbon to DVD, and have a special mode just for that.

The camera we used during this time period was the Canon HV-20, which is an HD camera, although we recorded in SD as most of our customers still use that mode. The tapes played just fine in the JVC deck if we used SD mode. It is not an HD deck, so don't believe that.

Given the usefulness of these kind of machines in my work, I am not happy they are becoming increasingly rare (quite due to Blu-ray usurping the arena). These are one of the last few remaining models which will record to hard drives or DVD in one unit, and they have a comfortably set of features. Philips had a similar deck, minus the tape function, which I have also used, and which is also discontinued. I am still using the Philips and the JVCs several times a week for up to 4 hours at a then.

All in all, I have been pretty happy with these machines. I would have probably given them only 4 stars if others hadn't treated them unfairly.

2009-12-02 (Oregon, USA) | Helpful Votes: 9 | Rating: 5

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Gifted!
This by-product has been perfect for all my needs! I have been using it a lot since I purchased it and it is exactly what I expected it to be. I use a lot for direct DVD creation from DV Reel. Also I have used it to save to hard drive for limited editing and burning to DVD. I have also used it as a DV Actor to download Video to Video Editor (Final Cut Pro). Love it!

2008-10-14 | J. Aoki (Cerritos, CA USA) | Helpful Votes: 4 | Rating: 5

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Old Technology
Would not concede or run the tapes from my HD camcorder. I sent it back the next day!

2008-07-29 | Helpful Votes: 2 | Rating: 1

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Problems with concurrent recording
This segment will not simultaneously record on the Hard Drive and DVD. When transferring from Hard Drive to DVD, the DVDs are letterboxed. (I never found a industry around for this problem) High speed transfer from HD to DVD has limitations.

Video quality is very acceptable on all three drives, and their are more than enough of in and out connections.

This unit was not right for my requirements. Had I known it would not record simultaneously on HD and DVD I would have never bought the item. I even downloaded the manual before purchase and this limitation is not mentioned. Not until I tried to record did a screen pop up saying I could not simultaneously documentation.

Glad I bought it on Amazon! Excellent return policies

2008-03-04 (New Orleans) | Helpful Votes: 9 | Rating: 3

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Opteka X-GRIP Professional Camera / Camcorder Action Stabilizing Handle with Accessory Shoe for...

List Price: $59.99

Product Details Cushioned NBR padded handle alleviates the stress of lengthy filming 1 Year Opteka Warranty Shoe mount (removable) for video lights, flashes, or microphones Fits most compact cameras and camcorders with a standard 1/4-20 thread

Product Description

The Opteka X-View handle can be used by both a professional or amateur user. This incredible support offers determination and control. The removable shoe attachment enables you to add a video luminescence, flash or microphone. Extremely useful product for shooting events unusually skateboarding and other extreme sports.

~ Fits most compact cameras and camcorders with a yardstick 1/4-20 thread
~ Cushioned NBR padded handle alleviates the burden of lengthy filming
~ High-grade ABS impact-absorbent responsive
~ Non-slip rubber rails
~ Shoe mount (removable) for video lights, flashes, or microphones
~ Max camera zenith: 4.75" (120mm)
~ Dimensions: 8.25" X 9.75" X 3.50" HxLxW (209mm X 247mm X 89mm)
~ Manipulate: 12.2 oz (345g) without devices
~ 1 Year Opteka Warranty

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Customer Reviews

astounding product for an amazing price
My son was looking for a stabilizing deal for his video camera. This was the perfect price and an awesome purchase. Very easy to use and store. Would definately buy from this seller again.Opteka X-Grapple Professional Camera / Camcorder Action Stabilizing Handle with Accessory Shoe for Flash, Mic, or Video Vacuous (Black)

2010-08-15 | Helpful Votes: 2 | Rating: 5

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ooooo child
like many who acquisition this, i film skateboarding. i have a nikon d5000. for a dslr, this helps a lot with stabilization because you have to hold a dslr differently than a camcorder. i advisable this if you have one. also id your camera has bad sound quality you should buy an external mic and put it on top.also obviously a good fisheye with a wide try for close to 180 degrees. its very high quality and worth themoney i definately vouch for buying it for a dslr

2010-08-07 | BOSS (nj) | Helpful Votes: 3 | Rating: 5

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Digital Concepts 0.45X Professional 43mm Wide Angle HD Lens with Macro

List Price: $39.95

Product Description

Digital Concepts 0.45X Professional 43mm Widespread off the mark Angle HD Lens with Macro.
HD Digital Lens.
Optimized for Megapixel Photography.
Multicoated Visual Glass.
High speed Auto Focus.
Infrared Like-minded.
Includes Carrying Case & Caps.
Lightweight Steel Tub Design.

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Customer Reviews

Measure 3
Panasonic HDC-TM700K Hi-Def Camcorder with Pro Hold sway over System & 32GB Flash (Black)

The Digital Concepts 0.45X Professional 43mm Wide Angle HD Lens with Macro is not working with the Panasonic HDC-TM700 camcorder because this camera has an 46 mm lense and I didn't see the diference when I ordered the 43mm Off the mark Angle HD Lens

2010-07-12 | Helpful Votes: 0 | Rating: 1

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Gives tiptop results with a simple Photoshop adjustment
Two tricks decamp this adapter really useful and versatile: a step-down converter ring, and one simple Photoshop coordination.

I got this adapter for my Olympus micro 4/3 camera, to try out as an alternative to a $600 true wideangle. I use it on my 14-42mm lens (28 mm comparable at wide angle), with a 43 to 40.5mm step-down adapter ring to make it fit my lens. (With this lens, I have to say that the cynosure clear mechanism struggled to work--the motors on this tiny lens must be too weak to move the added preponderancy of this adapter--and I therefore found it best to use manual focus. Other cameras may not have this issue).

It converts my 28mm equivalent lens to what I savagely estimate is a 21mm lens--a big increase in angle of view.

The big problem is substantial barrel distortion. Also, there is chromatic fault in the corners and some vignetting (darkening in those corners). Now, here's the trick: Photoshop Elements (and, no doubt, other photo directorship programs) can eliminate the barrel distortion in: Filter/Correct Camera Distortion/Rub off Distortion (try +20 to +30%). This has the huge additional benefit of pulling the corners out of the display without reducing the wide angle of view--the very corners where both the chromatic aberration and vignetting chance! Crop to make the picture rectangular, and you have reduced all 3 problems significantly with this one adjustment.

Now, you still are not getting top supremacy. But for the ridiculously low price of this lens you are getting very acceptable quality at a twentieth of the price of a "genuine" ultrawide.

2010-06-06 (Princeton, NJ, USA) | Helpful Votes: 0 | Rating: 4

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Nightmarish for the price
Let's get one trend straight...it's NOT a .45 lens! At best, it might be .8, but really, for under $25, who cares?! It absolutely gives you more real estate for the canon HV20/30, and is about $75-$100 less than the canon wide viewpoint lens. I noticed no barrel distortion or softening of the image, and thankfully the macro in actuality works on the back end of it. Made of surprisingly sturdy glass and metal, it feels solid in your hand but doesn't weigh down the front end of the bantam camera. I noticed a little problem with autofocus when zoomed in midway, but that's more due to the mediocre AF on the camera than the lens.

Let's mug it, if you're shooting seriously with the HV20/HV30, it's because you don't have the budget for a higher end HD camera. If you have the money, the canon roomy angle is definitely a wider viewing/recording angle (as my co-worker shot a terse film with it. that thing is truly a .45 angle). But if you are on a budget, or are just a hobbyist, this is an prominent value. I was able to get an extra 2 feet of space on either side of my subject, which may not sound like much but to be sure helps when shooting in tight quarters.

I deducted 1-star for the mislabeled viewing viewpoint and the fact that if you screw it in too tight, you'll have a heck of a time taking it off the camera without detaching the macro from the front (had this materialize twice already). Just screw it slowly, and don't worry, it needn't be airtight. :p

2010-05-07 | Extended Mags (Los Angeles, CA) | Helpful Votes: 1 | Rating: 4

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Reasonable, good quality, but not 0.45x
I bought this point for my Cannon HV30. The lens is cheap, but its quality is good enought for HV30.
It can work in two modes: macro and extensive angle, that is great.
The disadvantages are:
1) its not 0.45x as declared. I'd say its about 0.8x
2) it works good only on zoom beyond about partly way

2010-04-09 | Helpful Votes: 0 | Rating: 4

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Gigantic price, cheap performance
I bought this for my Canon HV20. In the face what the other reviews state, there are clearly two problems with this lens.

1. There is significant barrel distortion at the edges of the conceive, although this is unlikely to be noticeable if the objects in this part of the frame are not too close to the camera,
2. There are undoubtedly very soft edges at the telefocal end of the zoom. I was exceptionally disappointed with how bad this is, having read the other reviews. I'm not kidding, this is like some super cheap turned down focus effect from the 70s, around a substantial part of the frame.

Despite these problems, the lens clearly has uses.
1. The extensive angle is completely fine in terms of barrel distortion, as there are few situations where it will be really perceivable. And even the times when it is, you may find this distortion is a price worth paying.
2. Try to avoid zooming beyond about half way. The blurring around the edges is ghastly.

In summary, you can't really beat the price, so unless you can afford to pay the $150 for the canon fully angle converter, this is a reasonable alternative. I thought about 4 stars, just because the price is soooo cheaply, but kept it at three because of the problems. But this is definitely not a keep-attached-at-all-times accessory. It should only be used at astray angles.

2010-03-19 | Helpful Votes: 1 | Rating: 3

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What's a better camcorder for professional images, the Sony HDRSR1E.CEE or the JVC GZ-MG505?

Q: Hai

This is the Sony HDRSR1E.CEE:
http://www.gadgets-weblog.com/50226711/s ony_hdrsr1e_hd_camcorder_with_30gb_hdd.p hp
And this is the JVC GZ-MG505:
http://consideration.zdnet.com/JVC_Everio_GZ_MG 505/4505-6500_16-31876466.html

What's a better camcorder for professional images, the Sony HDRSR1E.CEE or the JVC GZ-MG505? I call for to shoot quality images.

And what's better, Sony's Aged Definition image quality or JVC's 3CCD image quality?

Any workers would be welcome.
Kind regards


Floris

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A: i would go with the 3ccd

I have an old 8mb SD memory card in my JVC camcorder?

Q: The camcorder normally records onto mini strap, but because I don`t know how to get this tape image onto the PC, I need to use the memory calling-card in order to upload a small piece of video to Youtube.
The standing using the 8mb is beyond lousy.
If I use a Lexar professional 2gb card, would this improve the characteristic of the image or just the amount of video I can take?
Clear, lucid answers would be appriciated.

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A: Plainly, the video quality from the SD card (possibly highly packed down mpg) is very (10x) inferior compared to the miniDV tape video w/c is marginally compressed raw DV avi. In fact, this tape format -being one of the best for video editing, is also Euphemistic pre-owned for prosumer vcams in docu & news gathering.

A camcorder is not expected to take quality still pictures (prof vcams don't take stills). The SD plan is only intended for still pictures, so why invest further, unless its a flash recollection vcam? A DSLR wud do gud justice to a still as a vcam wud to a video.
http://www.bhphotovideo.com/c/issue/53 9222-REG/Canon_2685B001_FS_11_16GB_Hybri d_Suggestion.html

And now, to get those quality video going...
.... a miniDV vcam must be iLink / FIREWIRE400**-to the point to pc to upload video thru video capture or video editing* software while vcam is ON PLAYBACK. Note: DV or Firewire anchorage of vcam is 4pin. Before cable purchase** (Vcam/4pin=>firewireCABLE=>PC (4/ 6pin?), pass muster pc for DV or firewire port, whether 4 or 6 pin. If none, install firewire card: pci for pc or pcmcia for laptop.
http://en.wikipedia.org/wiki/Firewire

for starters, unsparing Windows Movie Maker* (XP-wmm2 & Vista-wmm6) provides uncluttered & easy way to learn the ropes < click help for workings>. Upgrade to intermediate video editing applications accdg. to fundamental & skill level
http://video-editing-software-upon.top tenreviews.com/

video editing process- XP/wmm2
>>> open wmm- start/all programs/wmm->Stint pane
1. Capture video stream** - editing software remotely rudder vcam operations
2. Edit- drag/drop video files->timeline & complement w/effects, transition, music & titles
3. Finish (become)- save Movie –OK for youTube, also save Out.msmmw file
>>> Share-burn to DvD- use DvD authoring app, e.g.,DvD Flick or Nero

Similarly: Vista/wmm6- Import/ Modify/ Publish=>auto-shifts to WindowsDvD authoring app->squander to DvD
For details, visit: http://www.microsoft.com/windowsxp/using /moviemaker/fall short.mspx

Is it possible to have good DVD quality for DV Camcorders when uploaded?

Q: I have an old JVC camcorder and I set out to persuade a short film, upon finishing when I uploaded to Adobe debut, I selected the best format, the DV 24fph format. So, when I view it on a bigger shroud, there are all these lines and pixels and poor quality that makes it look like someone enlarged a youtube video with the TV shield on to the big screen. I was told that DV camcorders can't produce HD quality footage when uploading to PC, so is there no way to have DV camcoreders footage to look like it was HD?

Can i hurl the entire film in my old Camcorder and then borrow a professional HD camera from somewhere and use the video with the camcorder footage and upload to my pc through the HD camera? Or will the footage and distinction remain the same no matter what kind of camera I upload it from because it was markswoman on my old JVC camera?

I need help...

I've tried it on Sony Vegas and I have the IEEE 1394 Firewire USB mooring, but it's not working. Maybe I'm choosing wrong formats. I requirement help, step by step help. I'd really value it, thanks

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A: Yes, you can get DVD prominence.

Sounds like your computer is not powerful enough to capture video with the cash in on you are using. Since video is captured in real-time you dire a computer that can keep up with the processing of the video. To see if this is the case look at your CPU while importing your video. To do so huddle (Ctrl + alt +del) to open Windows task manager. If you are at 100% while your video is importing you will fall off frames and thus get bad quality video.

A couple of options:

1. Superior a lower quality video profile so that you are not at 100% CPU, this will follow-up in higher quality video because you won't have dropped frames.

2. Get a more effectual computer like a dual core (2 cpu) machine.

3. Send your tapes to a professional deliverance company. StashSpace.Com will convert your tapes to digital for $7 per spool http://www.stashspace.com

Good Luck!