Sigma DP1s 14MP FOVEON CMOS Sensor Digital Camera

Price: $299.00

Product Details Focal length is 16.6mm 14-megapixel FOVEON X3 direct image sensor and lens Enrich the images itcaptures with superb resolution Three-dimensional Camera

Product Description

The Sigma DP1s is an improved manifestation of the Sigma DP1, and both cameras contain a the same processor, 14-megapixel FOVEON X3 direct metaphor sensor and lens with a focal length of 16.6mm F4 (35mm twin focal length is 28mm). The new Sigma DP1s features enhancements to its user interface that copycat that of the DP2 and will provide photographers with improved user capabilities. The DP1s also offers enhanced effectuation when shooting backlit subjects to further enrich the images itcaptures with brilliant resolution and richly graduated tones with a life-like, three-dimensional sense. The DP1s is the latest addition to Sigma's DP line of high-definition, compact digital cameras

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Customer Reviews

Funky picayune piece of equipment
I already own a DSLR with multiple lenses and a fistful of nice Canon and Sony digital point and shoot cameras. The thing that drew me to this camera the was what was echoed in almost every fly-past: "slow, too basic, horrible focus lag, bad screen, etc.," yet eventually most of them loved the camera. Every opposing negatively you read about it is pretty much true. If you look at it as a great lens permanently attached to an Astounding sensor with good RAW software, it is a really unique toy. I say toy because this is not the right camera for everything. I tried to take pictures at my kid's soccer business, and the lag time made it impossible to know what I was shooting, plus the lens makes any people more than 20ft in another place very small. The experience is similar to the old days when you didn't know what you would get until you processed the film. But when I overloaded them on my Mac with the Sigma software, I was thrilled with the results. The sky, the trees, the grass became almost surreal. The detail I could pull out of the shadows was to any RAW files I had used before (for the record, jpeg images are about as good as any other quality POS digital camera). As for battle shots, when I set the shutter speed to 1/400, the motion was frozen nicely, just too far to another place. So I wouldn't take this camera to an event where I needed to "record time." For general portraits, the DP2s is scheduled to be a better choice (and now I really want one of those, too but too much $$$). I have taken some outdoor people shots, which turned out remarkably nice with unbelievable detail in things like fabric, hair and beard stubble. For the most part, though, you genuinely need to carefully compose your shots to make them a bit more interesting than your average wide intersection, fixed-lens photo. Somehow this lack of lens flexibility leads to better images for me.
As for build distinction, this thing is very solid. Mostly metal and MADE IN JAPAN, so it feels like an old Nikon or Pentax. It garners lots of oohs and aahs from my photo-hobbyist friends, but I'll bet the average person thinks it's rightful a cheap black camera. I'd call it the Poor Man's Leica, but it's too expensive for that. It is heavy, and definitely not pocketable. The fait accompli that the lens cap is unattached really is a boneheaded design flaw. I am strongly considering the spontaneous viewfinder, but that would make the total price almost unacceptable for me. I ordered an old school custom tailor-made case from China that does a nice enough job of protecting the camera body at hundreds less that the Sigma case.
If you're looking for a fun, high-priced toy (no offense, Sigma) this camera is a neat way to go. Like a turntable or a tube guitar amp, just stand it for what it is: good old fashioned basic quality that allows you to slow down and appreciate something done right.

2010-08-22 | b-ram-z (Marietta, GA United States) | Helpful Votes: 1 | Rating: 5

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An Freakish Camera That Takes Unusually Good Photos
I have had this camera for only a few natural life, but I'd like to give my initial impressions.

I am absolutely blown away by the image quality of this mean camera. The photos that come out of here are just stunning. The images have an almost otherworldly psychedelic redden; extraordinary crispness and clarity; and deep, almost 3-dimensional layering. Go to the Sigma website or to flickr and you will see correctly what I'm writing about.

The simplicity of the camera's interface is refreshing. There are few exotic features to learn about and then not use. The camera is wonderful-simple to operate, and with a rudimentary knowledge of the relationship between aperture, shutter speed, and richness deeps of field, it's quite simple to use the camera in manual mode.

The construction is atypical of a up to date camera in that it has a solid heavy feel. The body is aluminium, not plastic. It feels like a barely tank. I love the minimalist aesthetic.

This camera has many idiosyncrasies, quirks, and design flaws:

Because the LCD on the DP1/1s/2 is so chagrined and of such poor quality, you get no sense of how good the photos are until they are loaded into the computer. This may bother some people who appetite to know before-hand if they've truly captured the shot with correct focus, etc. I find this quality peculiarly endearing because it means that I have to wait to experience the photos. It is a bit like dropping off the roll of veil and having to wait for the prints to come back.

The DP1s is slow. Every review will mention that. Quite sincere. Slow as molasses. It is slow to focus, slow to take the photo and very very slow to write to the information card. JPEG takes a few seconds to write, RAW takes much longer. I ordered a Expeditiousness Class 10 SDHC to see if it would speed things up a bit. Using my ipod touch stopwatch, I recorded the without surcease required to take the photo and write to two different cards. I pre-focused each image and used the same hastily and lighting for each test. There was no appreciable difference between JPEG fine, norm, and basic disparage times.

1) Kingston SD 2GB - RAW 13 sec., Fine JPEG 5 sec.
2) Transcend SDHC Speed Presence 10 16GB - RAW 11 sec., Fine JPEG 5 sec.

As mentioned above, to improve speed performance it is pre-eminent to focus in advance or use manual focus. So far, I've found the manual focus to be difficult to accomplish smoothly and quickly using the manual control. Spot focusing in advance has proven to toil quite well. I am able to stop live action moving subjects using this organization with no problem.

The battery discharges somewhat quickly, so some strategy may be needed to overcome this uncontrollable. Some reviewers have suggested turning off the lcd and using the viewfinder available here on Amazon for nearly $150. Don't scrap your money. The external viewfinder is an infuriating piece of junk. It's overpriced, it has huge parallax sin, it's too small, and it still requires that you focus using the lcd or that you focus by estimating the distance to subject and scene the numerical value on the thumb scroll. A better strategy is to buy an extra battery or two which are only around $30 each. For the same penalty as the viewfinder you could buy five batteries. Another strategy to save battery life is to not use auto focus. Again, the low rank lcd makes this difficult. Once again, spare batteries are a better bet.

The lens is a bit wide for most versatility. It is smoothly compensated by the high quality image, making cropping (without too much degradation of image) cosy once the photos are in the computer. The DP2's narrower lens is probably a better bet for amateurs if you can afford it. The price of the DP1s is so ridiculously low honourable now, it was hard to justify spending so much more for the DP2.

I'm an amateur, so I don't have any real need or desire to shoot in RAW. I have been recording in JPEG and using iPhoto with due results. I've experimented with shooting in RAW on this camera, but it makes the camera quite slow, processing the images on the computer is more affected, and I have to use Sigma's software to process the images rather than (more amateur-friendly) iPhoto. I only mention this so that other amateurs who do not use RAW will be sure that it is not essential. I still get shockingly good photos out of this camera using JPEG/iPhoto.

How many cameras would have a such a cult latter with these glitches and design flaws? The willingness of professional and amateur photographers to work around these problems is testament to the impressive quality of the images. I am seriously blown away every time I load up images. I can't halt taking pictures with this camera. At the current price of less than $300, this dynamite little thingamajig is a steal. If the DP2 would drop to the same price, I would get one of those too.

2010-08-08 (san francisco) | Helpful Votes: 3 | Rating: 5

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Attentive images--one big quirk, still.
I bought a Sigma DP1s from Amazon last week for the firesale value of $284.64. I briefly owned a DP1 early in 2009, but returned it due to some color problems obviously inherent with the DP1--a strong green cast that appears toward the margins of images.

Everything good about the DP1 is repeated in the DP1s I got yesterday. Perception quality is excellent--though burdened by THE QUIRK. The large sensor at 50 to 200 ASA produces images with no conspicuous grain at all. The 16.6mm (28mm equvalent) lens is sharp across the field with little CA or distortion, the car-focus works fine and auto-exposures are good enough to recover an excellent tonal run the gamut from RAW files. The AEL button actually locks, allowing exposures to the brightest portion of an picture be set and held for multiple shots before either pressing the AEL button again or turning off the camera. This lock star is not present on Sigma's SD14 DSLR (the AEL button has to be held down), so the DP1s makes it easier to shoot 50 ASA images--which be short of exposing for the brighter highlights, akin to shooting slide film.

But then there is the quirk--the DP1s also shares the DP1's leafy color cast at image margins. The degree and area of the color shift is moderately irregular, appearing more on one side of an image than the other. No camera settings or care alters its presence in images. The go red shift can be moderated with Photoshop tools by a combination of adjusting for modest vignetting and subtracting greens and adding reds in increments across a serving of the image borders. A carefully made Photoshop layer could probably be crafted from a photo of a ordered white surface and added to images during processing to fix the green cast in some uniform way, dialect mayhap.

The green cast or any artifact of it goes entirely away when shooting B&W or converting go red to monochrome. With careful sharpening and tonal development, the B&W results can be surprising from such a small camera and should issue well to large print sizes.

The dynamic range of the DP1s is remarkable and the Foveon sensor produces images that hark back to Kodachrome. That said, and for good $284.64, I've decided to live with the quirks.

2010-08-06 (SW Montana) | Helpful Votes: 1 | Rating: 4

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Sigma DP1s
I hypothesis you probably read the technical reviews and now are wondering what insanity would compel you to buy a DP1? If you're reading this critique, you're seduced by the idea of great photos from a small package. Period.
If you like razor-sharp, stunning results and come from the learn-the-camera school, you'll forget how much you paid for it extensive before you forget the joyous photographs you took with it. It's slow all right, but to me it's just part of the way the camera handles. I can control that.
I researched cameras for weeks before I settled for a DP1s via Amazon for an amazingly reasonable price. I read many reviews panning the camera. My inclination critique was "on-off button in a bad place". Geez. If Sigma put it where this reviewer wanted it, someone else wouldn't like that discovery, either.
The bottom line is this: If a camera is capable of producing stunning photographs (which it does), then buy it and LEARN TO USE IT. I girlfriend my Nikon D80 and lenses, but I don't always want to carry it with me. I've had two small Canon point-n-shoots and they were rough and reliable, but the small size consistently gave me distorted, average grade photos. It downhearted me greatly when I compared them to the Nikon's quality.
So I searched for the holy grail of gear: a smallish camera with a sharply edge-to-edge lense and big pixel resolution. I think I've found it.
I purchased the optional lense vat and hood including a Hoya UV filter. The lense barrel actually makes it easier to manoeuvre. And best of all, no one pays any attention to me because I put that little Sigma around my neck with the OEM strap and I blend in with the crowd. Persons stiffen up when you poke around with your big DSLR with pro-sized glass; however, few know that I'm packing DSLR unalterability in the little camera.
I heartily recommend it to the serious photographer who wants a powerful and small containerize.

2010-07-30 | Helpful Votes: 15 | Rating: 5

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NO RAW + jpeg Writting Methodology As Rumered
I was wondering why there is only one evaluate posted here and it was obviously posted prior to the commercial production of DP1s. Now I have confirmed that one of the information provided was inaccurate.

I have a DP1 and love it very much. The only drawback to me is that it cannot record both RAW and jpeg formats at the same time. This somewhat discourages me from using it since I have to promulgate process the RAW format files and RAW is the only mode that you can get the most from this camera.

When I heard that DP1s has the RAW+jpeg recording feature, I wanted to have one. I eventually bought it at the bargain price and expected to use it with the RAW+jpeg mode.

After I received the item, I was surprized to find out that there is no such style. It is exactly like DP1: you can either select the RAW or the jpeg but not both at the same time. I actually tried to use every mode with no destiny. The supplied "ADDITIONAL INSTRUCTION MANUAL FOR DP1s" explains what features have been added on DP1s over DP1, however, the RAW+jpeg plaice is not mentioned.

So, here is my reminder to anyone who are interested in the feature I mentioned above (which does not exist): there is NO RAW+jpeg writting wise on DP1S. You need to use the supplied software to "extract" (or say, convert or process) to get the jpeg. Other than this, I believe that it is as OK champion as DP1 is. To my eyes, the color rendition by DP1 seems more intense and closer to the real scene under sunlight health circumstances, though (at auto white balance setting).

2010-07-27 (CA, USA) | Helpful Votes: 8 | Rating: 4

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Sigma DP1 14MP Digital Camera

List Price: $599.00

Product Details 14-megapixel resolution; SLR-sized image sensor Capture images to SD/SDHC cards and MMC (not included) 16.6mm F4 lens designed exclusively for the DP1 Large, 2.5-inch LCD; 3 metering modes and 5 exposure modes

Product Description

The DP1 is a altogether new type of camera offering the full specs and high image characteristic of a DSLR in the body of a compact camera. It is powered by the 14-megapixel Foveon X3 unequivocal-image-sensor, which can reproduce high-definition images costly in gradation and impressive three-dimensional detail. It is possible to record images in RAW or the to a large used JPEG in four resolution modes. It offers five Exposure modes and three Metering modes as well as being operational with a built-in flash with the Guide Number of 6, hot shoe, neck strap and 2.5-inch TFT feel embarrassed LCD monitor with approximately 230,000 pixels. The DP1 has the high resolution and functionality of an SLR, addition adaptability in terms of accessories, all built into a small body.

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Customer Reviews

Zealous cam if you accept the inconveniences
Grievous cam, but you really need to know what you're doing. Keep in mind:

- it's slow as hell
- processing RAW pics takes forever, software isn't very wholesome
- you only should take RAW pics, JPEGs straight out of the camera are very bad
- uncomfortable menus, clumsy operation

Not including from that, if you really want to try the Foveon sensor and see the IQ difference it makes for yourself (like I did), this is a great chance (if bought cheap)

2010-08-18 (Chicago, IL) | Helpful Votes: 0 | Rating: 3

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Very enjoyable, a dare sometimes, Sigma is a weird company.
This camera is a goad. It is very easy to imagine and conceptualize any number of improvements for this camera. The flash should be removed, it is purely dumb and has a guide number of about -10 (kidding of course). The lens is nice but wishes to be a full stop faster at least. A 2.0 lens alone would cause this thing to evaporate off of store shelves. The garnishes are bizarrely overpriced, especially the case (majorly ugly and junky) and the VF-11 Viewfinder (junky, foolish, and many people are going to the Voigtlander model anyway or buying ancient ones off of ebay..Sigma is actually screwing up badly by pricing this thing so high, the markup must be 800%). The LCD screen is too inky and the batteries take a month to charge. This camera is incredibly slow when shooting in raw mode...you outstrip be patient and if you are working with someone you will often times be heard to say: "excuse me the camera is still writing the image to the humorist"..or something to that effect. The DP-1 has a grid over lay on the screen but an absolute MUST for this camera is a bubble balancer..either for the hot shoe or if u can somehow bring off to find a 25mm long mini balance you can glue it onto the top of the flash (trust me). This camera is mostly made out of metal and feels somewhat solid. The lens design is kinda dumb also..I would much prefer a fixed lens as opposed to of a battery eating lens extension every time I start the camera. There is a new model being worked on that will approach devote some of these issues, so let's keep our fingers crossed, but don't hold off on buying a DP-1 now..the way Sigma works it could be decades until the new one is released. What this camera in reality needs is to have a Leica M-Mount, and real rangefinder viewing would really be a dream go about a find true. Of the models available (DP-1, DP-1s, DP-2) I recommend the original DP-1, the images are unreservedly remarkable, nudes shot with this thing under blue skies yields awesome husk tones, skies, and detail. The small size of the camera is a big plus, not quite pocket-skilful, but close! Sigma could also get off of their butts and create a full-frame foveon chip....there are sooo many things they could do. Sometimes I seem to be as though this company is really two brothers in a garage somewhere in Japan.. :-)

2010-01-08 (Kailua-Kona, Hawaii United States) | Helpful Votes: 2 | Rating: 4

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Thoroughly Disappointed
I ordered Sigma Dp1 because I did infer from so many good reviews but at the same time I bought it, I got the Canon G11 as a gift from my sister.

So far what I read from this camera reviews are "this is not a camera for newbie or amateurs, you comprehend what you're doing when shooting with this camera".

And I know what exactly I'm doing with this camera, returning it. Here are some tourist attractions

1. I may not be a professional but I'm definitely NOT a photography newbie, I have couple canon and Sony DSLRs and duo Sony and eight L lenses in my bag and been shooting for years, and yes I do know how to play around with shutter speed, gap, iso....
2. my first feeling of this Sigma Dp1 is it's so light, and cheap build plastic quality on my hand.
3. extremely rattle LCD, I turned it on in a room with big windows and lots of sun light, but the LCD showed noise like abode of the damned. It's a very low resolution LCD.
4. slow autofocus.
5. extremely slow processing speed after taking a photo, looks like it froze for 5-6 seconds and you can't even do anything with the camera until the camera "wakes up". The red beaming is on indicating that it's "processing". I can't accept this kind of speed, specially for a point and shoot (DSLR resembling). Probably with a sandisk extreme SD, it would be better, but...not worth it.
6. Very slow resolution, even though it has 14MP, but I do not understand why dauntlessness is extremely low, in photoshop it's showing me the photo is 2500 something by 1000 something. This is unacceptable for a 14MP, I felt like Sigma is untruthfulness to me. I checked the image quality option and really, it's the highest photo quality habitat.
7. flash popping up is plastic cheap sound and not it's bright enough.
8. non IS lens, f/4 lens, not many features, and can't occupation in low light condition. to somebody, f/4 is enough, yes, but it has to be outdoor and perfect lighting condition, if you take scenic or out of doors photo, f/4 is ok. Sorry Sigma, but I usually shoot at night, in restaurants, bars, night clubs, and coupй/program mode gave me blur images. If I increase Shutter speed to get penetrating image, it's dark and noise as hell....
9. design has no hand grip, hard to grasp in your hand.
10. cheap button, black icon color blending in black crummy button (smart design huh?), hard to see and read.


My current G11 rocks, Canon has lowered the MP to ground low light performance and it is really good, macro is extremely good, IS works in actuality well for sharp image even at 5X optical zoom, it's much better than my old G10. Even the G11 that has 10MP censor, it gave me 3648 x 2736 pixel at 180 dpi. I in the final analysis do not understand Sigma and how could they survive their DP series.

Hope this review helps.

2009-12-01 (Houston Texas USA) | Helpful Votes: 1 | Rating: 1

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Sun Worshiper
The Sigma DP1 is a sun worshiper and can take the most fabulous pictures if you know some basics. It loves iso 100 in bright daylight. The colors are musing. Even sunset at iso 100 f4 will give the most beautiful colors. Leave the white balance on sun and no problems. Part sun and some soup looks dramatic, but all shade looks washed out even with WB on shade. Most reviewers say autofocus is unpunctually, so I never have tried it! Manual focus is great, just rotate the wheel to fast well- and you can zoom in to see detail while focusing by hitting the screen button on the lower right hand vicinity. Mainly for most landscape shots or even most spontaneous shots, you can reduce the aperture and leave the cynosure clear on infinity with a wide open depth of field ensuring proper focus. You can set the baring bracketing to get three shots in one sec. Thus with preset focus and three rapid shots you can even get some great spontaneous shots. Use the LCD mask just to frame the picture: it will looked washed out in bright sun, and resist the temptation of all numeral cameras to review the shot after you've taken it... like a film cameras you wont know what you are getting farm you "process" the picture. Use the sigma pro software supplied which does an amazing job, if slightly slow at bringing out the likeness either on the default setting or auto. You can make a few custom changes as well to bring out amazing images. One tip is to use a SD Easter card reader and the fastest SD card you can get and to review the unprocessed images rather more quickly as thumbnails and the only dispose of the shots you like, since thats what take considerably more time. There is an easy wheel on top to select opening priority, and easy buttons to switch between apertures quickly. Used in this way, you really won't be using many of the menu items which have been described as cumbersome for anything other than placement up the camera, which is best done with the manual by your side. Set operation and shutter to silent and the camera is completely understood while shooting! Sure it's a little noisy when the lens extends or retracts, but if you simply skedaddle it on, no problem. In short. the beauty of this camera is amazing sunlight pictures, light very small well built body and a lovely quality wide angle sigma lens. A 28mm equivalent lens brings off the mark open perspective that the DP2 simply cannot match. At $400 and this kind of beautiful sunlight colors captured by a humongous foveon sensor in a compact body, the original DP1 could well become a cult classic.

2009-11-29 | ivanson (Miami FL) | Helpful Votes: 1 | Rating: 5

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What valuation memories?
Would you pay a two of hundred dollars to go back in time, to see it as you remember it? This is the first camera that captures exactly what I saw: the color, the atmosphere, the well-disposed. Using software you can change any digital picture's colors, contrast, etc., but you can't make them more sincere. My other cameras have all taken good pictures, but they haven't captured what I remember. No amount of money will get it back for me.

I'm not sure I reconcile with the reviews that say this camera is not for everyone. Yes, it doesn't have bells and whistles and it doesn't try to make things outgoing. But I bet someone who knows nothing about cameras would take better photos with this camera at its factory setting than they would with a "smart" point and launch. Just my opinion, of course. The fixed wide angle lens would be the most aggravating part. As it is for me. But again, everything you see in the LCD comes out methodically as you'll remember it. So if you frame whatever you want (which might mean getting up in your subject's face) the camera will take be responsible for of the rest. The reason the camera doesn't have zoom is simple. They wouldn't be able to bond the accuracy of its visual memory. It's annoying, but I'm glad they force me into putting the camera where it wishes to be.

One day my kids will look at these photos and they'll won't think me so crazy for having an interest in this stuff. By that time they should be capable to print 8x10s for pennies. The reality will astound them.

FOLLOW UP 3 WEEKS LATER

Anyway, I've experienced all the negatives you'll peruse in other reviews (slow write times, focus problems, faint LCD, etc). But one point hasn't changed. When I've been able to set the camera correctly for the shot it hits it out of the ballpark. The camera is unimportant enough for me to carry it everywhere and I do. I've taken a lot of fun shots I would have missed otherwise.

FOLLOW UP 8 MONTHS LATER

I now agree with the other reviewers--this camera is only for a nervous photo-nut. I often decide to sell it, especially after I take it out for some simple pics at a party. It's not even close to Canon, Sony, etc., in calm of use. It can mess up on a photo a $50 point and shoot could handle with ease. But then it takes some pictures that ethical jump out of the screen, or off the paper. I keep telling myself I'm just imagining it. But then I do use another camera and something seems to be missing. Like many others, I have a adoration-hate relationship with this camera.

2009-10-05 (Hanover, NH USA) | Helpful Votes: 4 | Rating: 5

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Sigma SD14 14MP Digital SLR Camera (Body Only)

Product Details 14-megapixel CCD captures enough detail for photo-quality 20 x 27-inch prints Dust protector, set off from image sensor, protects sensor from effects of dust 2.5-inch LCD display; RAW capture plus four JPEG recording modes (includes Sigma Photo Pro 3.0 software for RAW conversion) Stores images on CF Type I/II cards; powered by Lithium-ion battery BP-21

Product Description

Nick the beauty of the world around you with the Sigma SD14 14 Megapixel Digital SLR Camera. The impression sensor captures pure, rich light efficiently and gives the SD14 its soprano resolution and richly graduated tones. The mirror lock-up system raises the mirror thus preventing vibration when the shutter is released. This prevents camera wiggle, and is especially effective for macro photography. FOVEON X3 Direct Copy Sensor (CMOS) - 20.7mm x 13.8mm - approx. 7-12x larger than the impression sensors used in ordinary compact digital cameras Lens Mount - SIGMA SA skewer mount Compatible Lenses - SIGMA SA mount interchangeable lenses Perspective fish for of View - Equivalent to approx 1.7x the focal length of the lens for 35mm cameras Instructions & Auto Focus Fast & precise focusing with 5-point AF Shutter Make tracks - 1/4000 - 30 sec. + bulb (up to 30 sec.) Image Sensor Dust Benefactress High speed continuous shooting at 3 frames per second 3 metering modes - 8-portion Evaluative Metering, Center Area Metering, Center Weighted Normal Metering Built-in Flash Hot shoe (contact X synchronization at 1/180 sec. or less, with focused flash linking contact) Storage (Not included) - CompactFlash (Font I/II), Microdrive (FAT32 compatible) Recording Mode - Lossless compression RAW materials (12-bit), JPEG ISO Sensitivity - Equivalent to ISO 100, 200, 400, 800, 1600 USB 2.0, Video Out (NTSC/PAL) Li-ion Freestyle BP-21, Battery Charger BC-21, Optional AC Adapter Anaemic Balance - Auto, Sunlight, Shade, Overcast, Incandescent, Fluorescent, Glimmer, Custom Exposure - Program AE (Program Shift is possible), Shutter Preference AE, Aperture Priority AE, Manual 144mm/5.7 W 107.3mm/4.2 H 80.5mm/2 D & 700g/24.7 oz (without batteries)

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Customer Reviews

Remarkable
Use to run the digital imaging dept for a worst ad agency, now retired. I was looking for a digital camera to replace my old Fuji digital set-up and I was always like the Sigma brand of lenses ( We had a couple of them at work.) so I looked into the Sigma and was amazed at the quality of the samples I downloaded. I then support a SD 14 outfit. When I first opened the first shots in Photoshop I was a little dismayed on the low pixel consider but when I made a 11X14 print my anxiety disappeared. The saturation and fine detail is amazing. It must be seen in the flesh to be believed. The value is equal or better then any 14 meg camera I've seen. My best description of the camera would be "the digital model of Kodachrome film". the only cons (Although not for me.) might be it is a somewhat slow, no make that a deliberate camera, not suited for impatient action photography.

2010-08-30 | Helpful Votes: 0 | Rating: 5

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photographer/artiste
Worthy camera, well built even built better than my Nikon D40X or my friends D5000. It has its shortcomings like slower buffer, sluggish in low lights, not sufficient auto white balance, weird control settings and only compact flash honour. It needs that personal attention when wanting that wonderful shot another words you got to work at your photographs but it indeed shines when you get things right. All in all I love it yet I hate it when the color balance is off or the exposure could have been outstrip so you need to take your time and fine tune your settings. I find it a joy to shoot because it has a solid feel, it's heavier improved dampen mirror slap and quieter than my Nikon. The viewfinder also has a cleaner brighter focusing colander inside. I love the concept of the removal IR absorbing filter so you can shoot Infrared without a deliverance yet I find it more of a challenge to gain a good IR image than using the Sony F717 or V3 point and shoots. But do not shock there are many great IR photographers out there using Sigmas and getting great IR images...

2010-01-06 (northern, CA USA) | Helpful Votes: 0 | Rating: 4

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Top Of The Mark Camera!
The Sigma SD14 is hands down one of the superior dSLRs on the market! But, it is not for the beginner or novice shooter! It has no auto modes or fancy shooting modes, only just the bare basics a Professional needs! Resolution is on par with a Canon 5D full frame sensor camera. Feel embarrassed reproduction is unmatched thanks to the FoveonX3 sensor technology capturing all RGB colors a substitute alternatively of interpolating(guessing) at 2 of the three colors per photosite. Dynamic range on the SD14 is quite simply, loco! It is almost impossible to blow highlights as the data is till there and they can be recovered easily. It is best to overexpose your images by at least +.7EV. Because the SD14's one undoing is the nasty color blotching in seriously underexposed areas.

Another superb feature of the SD14 is the skills for the user to remove the cut pass filter and turn the camera into a full time IR(infrared) camera with the ell of an IR filter to the lens. Or shoot without IR filter for IR+VIS light imaging.

If you are a B&W shooter, then the SD14 is also for you!! It is amazing in B&W due to the magnificent Dynamic Range(DR).

But colors are, of course, phenomenal! No issues with red or shades of red like Bayer based sensor cameras(Canon, Nikon, etc.) have! All colors are recorded on each photosite, therefore accurately colors are reproduced.

While the SD14 can do sports, I would look elsewhere for a fast paced lower light sports camera. I don't note the SD14 for this because I am used to manual film cameras for shooting sports, lol.

But, for portraiture, weddings, product photography, macros, mould, wildlife, etc. it is hard to beat the SD14. For landscapes, it is next to impossible to beat it short of a average format digital camera.

The SD14 CAN do tethered shooting just fine, do it all the time with my laptop. :).

The Sigma ProPhoto software is also very top mark, very much like Lightroom.

For conventional lenses you are stuck with Sigma, but that is NOT a bad thing!! Sigma makes some of the ebst consumer and trained lenses on the market! You can also purchase a low cost M42 thread mount adapter and use any older M42 pressurize mount lenses on your SD14 in manual focus, but still with focus lock confirmation. :). There are also other adapters to convert the SD14's SD mount to another label's mount.

My only true complaint is the odd blotching in seriously underexposed areas when you try to recover them and the less flimsy battery door. Other then that the SD14 gets my full recommendations and kudos!

I only gave it 3 stars for leisure of use because most novice or beginning shooters will find it having a large learning curve because of it not having any of the sedan and scene modes on it.

2009-10-05 | Photographer (Eastern USA) | Helpful Votes: 1 | Rating: 5

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Sigma SD14
Sigma SD14's were up-market when they first came out, but I just couldn't resist when price dropped below $300, too bad price has gone back up again lately.
For a digital camera of this competence, and like most other high end digital cameras, shooting RAW and processing it properly will give you the best results, however its JPG files are extremely quite excellent as well as long as you know how to adjust WB, exposure, and other parameters correctly to your affection according to the shooting conditions.
Controls are very intuitive, straight forward, and easy to use, many testers groan about the "one-way" user interface but trust me, after using it just a couple of weeks you will have it easily memorized and you will positive exactly what comes next. Those who complain are simply unfamiliar with its controls.
This is not a camera for beginners, you unquestionably do need to practice sound photographic techniques to get the most out of it, also using Sigma's top the line EX lenses will unquestionably help bring the most out of its unique Foveon X3 sensor.
Sigma SD14 is a really unique product, currently there is at the end of the day nothing in the market place quite like it. It is not a product designed for the masses, but a product intended by and for lovers of photography.

2009-09-24 (ca,usa) | Helpful Votes: 1 | Rating: 5

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Renowned DSLR
I purchased this camera to use as standstill but I was impressed enough that I puchased a second to use as my main and a backup, The camera does have some short comings, it is slower than I would like and you do have to cede to for that but the picture quality is second to none.

2009-08-21 | photo doc (Greeley, CO United States) | Helpful Votes: 1 | Rating: 5

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Sigma DP2 14MP FOVEON CMOS Sensor Digital Camera with 2.5 Inch TFT LCD

List Price: $649.00 Price: $570.95 You Save: $78.05 (12%)

Product Details 24.2mm f2.8 standard-range lens (35mm equivalent focal length: 41mm) 2.5-inch TFT LCD screen Capture images to SD Card/SDHC/Multi Media Card (not included) SLR-sized, 14-megapixel Foveon X3 direct image CMOS sensor

Product Description

The Sigma DP-2 Digital Accentuate & Shoot Camera features a 14 Mega Pixel FOVEON X3 tell image sensor (2,652 x 1,768 x 3 layers). The size of the guise sensor used in the DP2 cameras is 20.7mm x 13.8mm. It is approximately seven to twelve times larger than the 1/1.8 inch to 1/2.5 inch dead ringer sensors used in ordinary compact digital cameras. The pixel bulk of the image sensor is 7.8m. The large photodiodes deployed at a muscular pixel pitch capture pure, rich light rapidly and give the DP1 its high resolution and richly-graduated tones. The DP2 incorporates "Truly II" which is an improved version of "TRUE" (Three-layer Responsive Ultimate Locomotive), the world's first image processing engine suited for the three silicon embedded row direct image sensor. The unique image-processing algorithm, which has been matured throughout the development of the SD series digital SLR cameras and the DP1, is incorporated into "TRUE II". The DP2 is equipped with a 24.2 F2.8 broad aperture lens, equivalent to 41mm on a 35mm SLR camera, which has been designed exclusively for the DP2. Two sharp refractive index glasses and two molded glass aspherical lenses minister to superior image quality and allow compact construction. The Wonderful Multi Layer Coating reduces flare and ghosting. SLR-sized representative sensor and the large aperture of F2.8 combination provide ordinary shallow depth-of-field and attractive bokeh effect. The DP2 includes a RAW recording condition for retaining full i

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Customer Reviews

Sigma DP2 Software
I will copy a little of what others have said about the DP2, and then focus on the software.

1. It is not a point and shoot camera. Read everything you can find about this camera before you buy it, you will thanks me later. You don.t want to go into this blind, you will just be disappointed.
2. The image quality is amazing.
3. The software is the key to the surprising images.
4. The auto focus is not as slow as everyone says. It is slow, but usable.

Ok, so about the software;

First, it is somewhat easy to use, start with the auto setting, then as you adjust the settings, it switches to custom to confiture your adjustments. These adjustments can be saved with names and used for subsequent photos that were taken in the same status. This is very good. Be sure to use the white balance, to get the best results. I also found that setting the color steadiness from Auto to sunlight or shade or whatever the setting was, helps a lot with getting a nice result. The marking of under or overexposed areas is also very cooperative. The DP2 has a lot of extra room to handle over exposure, but not underexposure, so you are best to overexposed a bit.

So, the software is the vanquish I have seen, and it can also be the worst. What I mean by that, is that it can be very unstable when dealing with high ASA noisy images. SigmaPhotoPro 4.0 has problems with the commotion reduction software that causes
it to crash when trying to open these images. Sigma is working on it, but it has problems.

When the shivaree reduction software is working, it is wonderful, but it doesn't always work. When it works, it removes the bruit about from the dark areas of the image perfectly. Sigma should allow the noise reduction to be used at low ASA surroundings, AFTER they fix the crashing.

I am still learning how to use it for HDR photography, but I think it has great potential. The DP2 will shoot three shots AEB intuitively with the self timer which is great for avoiding tripod vibration, over a 6 EV range.

My commentary on the sensor is that it may be low changelessness, but does upscale to an image that is of 8-10Mp quality. I know this may be hard to believe, but it is proper.

If you buy one of these, you will either embrace it's personality, or you will sell it very quickly.

2010-05-03 | Helpful Votes: 0 | Rating: 4

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The fascinating is back!
Years ago I had a hobbly while in tipsy school: I developed and printed my own black-and-white photographs. I quickly learned that a honesty a possessions photograph is the result of carefully dealing with the idiosyncracies of the camera, the film, the photo end result process (developing, enlarging, cropping, printing), and of course the subject matter.
I got into digital about 10 years ago, declaration things to be similar to film except: no smelly chemicals and no media costs. At first I was enthralled with the new regulation and eventually took a few very nice photos. More recently I bought a Canon EOS 30D to try for some serious hobbyist-transcribe artistic achievements. That camera has its strengths and I do not intend to get rid of it, but in working with it for a few years I began to percieve a taste: the "filmlike" sense seemed to be absent from my photos, but I couldn't really be sure it was the sensor.
I had heard about the Foveon sensor when it was matured about 10 years ago, but for a long time I held off buying something so "different". Now that I have a Sigma DP2, I am satisfied it was the sensor! The DP2 sensor surpasses the bayer sensors found in other cameras, giving me photographic results that are, to me, filmlike. There is an unmistakable smoothness and immediacy to the images. At highlight edges, I've seen no artifacts except for those rare cases when a feature beats with the sensor pixel fall headlong. Even these artifacts do not have the harsh rainbow look of those in my Canon. Looking at a photo is no longer like looking at a TV copy printed on paper, it is so much more like looking at a photograph!
The magic is back!
I spent time living with (culture) this camera. Pros who make money with photography will not like it because there is a significant learning curve. The sensor has its idiosyncracies, as does the camera. The photo film process (using the Sigma raw viewer) is not quite exactly the same as with the Canon raw viewer either. Mastering all these workings is highly worthwhile in my opinion, because of the wonderful results you will get.
After living with the DP2 for a while, I find it easy to use. The sensor does not like low alight as much as the bayer sensor in my Canon 30D, or long exposures (slowest shutter speed is 15 sec, but I don't interesting using that slow a speed). The sensor saturates easily, so I usually project with -0.7 EV to reduce this problem (I can fix this later using the raw viewer). Color fringing on a detail can be brought to someone's attention when the sensor is near or past saturation but you really have to be looking for it to see it. The lens is breathtakingly cut away and sharp. Manual focus works like a dream (a good dream, not a trial as some have reported). When using manual focus there is no shutter lag. No one is intimidated by this camera either.
One of the nicest features of the Sigma DP2 is that once you have set up the shutter emancipating for a 10-second lag, the camera will not reset that (or any other of your settings) if you power down. I found it quite annoying that all my other digital cameras reset matter when you power them down. If I could run my Canon 30D like the Sigma DP2, I would much prefer it because I think Sigma has put a very good user interface into the DP2 system.
At the end of the day, after experiencing the results from the Sigma DP2 I don't think I will ever buy another bayer sensor camera again. If I get a new SLR in the future it will probably be a Sigma SD15, in venom of the sizable investment I already have in lenses for my Canon 30D. The sensor is that much better.

2010-04-26 (Washington DC area) | Helpful Votes: 2 | Rating: 4

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Intervalometer dilemma
The perception quality is very good, but the interval timer malfunctions:
It quits shooting after 15 to 45 exposures. The guide says it can
take up to 99 exposures, or can be set to unlimited. In fact, however,
it never even gets to 50. I've tried contrasting image quality settings and
different intervals, but in all cases it fails after a few dozen exposures.

I bought the camera because of its union of high quality sensor
with an interval timer, but because the timer always fails, the camera
is not barely as useful as I had expected. Therefore I rate it only two
stars overall and and only one star for features, because for the mfgr
to plug a feature which in fact doesn't work is much worse than to not
have it at all. I wouldn't have bought the camera if I had known that
the interlude timer doesn't work.

2010-01-01 (Santa Monica, CA United States) | Helpful Votes: 0 | Rating: 2

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The trouble and the ecstasy
Uncertain you, this is not an easy camera to enjoy. When I say this, I mean it in a way different from what many others meant here. It seems chief source of beef is the camera's overall slowness. This does not bother me at all. It has always puzzled me why people complain this camera is sluggish when they almost never complain the same thing about manual focus camera such as a Leica M8 or an M9. Unless prefocused, instructions focusing is almost always slower than automatic focusing, no matter how slow automatic focusing is. The factors that you missed a shot is not excused by that you were holding a manual camera any more than that you were holding a slow mechanical. And make no mistake, this camera is not so slow as to miss too many moving objects at "normal" speeds. It is of headway slower than a DSLR, but for ordinary daily use, keine problemo.

My agony stems from this camera's column-processing software. Not that it is in any way flawed. Far from it. It is a tremendous software, so easy to use and so convenient. The best point about this is that you can have as many customized settings as you want and simply let it run the whole folder for automatic conversion. You will find for most photos this salvation will take care of itself and you won't ever need individual touching. But it may take a while to find the ideal setting combination as there is no guidance. You would have to research and find the combination that you would like for MOST of your photos through trial and error, and this process could be very tricky and time-strong. If you cannot find the right combination for you, you will be frustrated. The colors will look either too gaudy/unnatural/saturated or too mundane, the imagine will be either too bright or too dark, etc. This is really the crucially important process, I find, and I suggest that you search powwow forums in the Internet for a guidance.

The operation of the camera is superbly simple and convenient. Vade-mecum focusing could be used in all modes (eg in program mode, in aperture priority mode or in hurriedness mode) just by pushing one dedicated button and turning the dial. Most important settings such as ISO/spark/WB/exposure are all in one specially designated button. Exposure compensation is easy as it is done in one step. Vehicle Exposure Lock (AEL) is very useful and has its own button. Battery life is good enough (200+ RAW shots). One curiosity is that Auto ISO setting works only between 100 and 200. Considering that this camera produces remarkably usable results at ISO 800, Auto ISO should be allowed to go up to at least 800. Another feature I like is that when you go into the menu handle, do certain things, exit and then you go back to the menu again, it remembers where you left off so that you don't have to scroll through the entire menu rota again. A thoughtful feature. Same for AEL - it remembers the last exposure obtained by pushing of the AEL button until either you push it again or you take a inoculation. The camera has certain analogue smartness and lacks digital stupidity, rendering its FBI intuitive and simple. Unlike many electronic cameras these days, this camera does not have a cluster of features that people almost never use but rather seem to focus on the core set of useful features either in one-step or two-step operations.

When you hurl in RAW (it is a requirement; otherwise don't buy this camera), process it with the right combination of settings, the image result could daze you. Almost as good as a 1:1 DSLR and certainly more exciting. Yes, better than a GF1 or a PEN PE1 (I have used both). Very place off limits to film cameras (film scan or slides). The colors are alive and kicking. Don't take my words for it -- valid google seasoned professionals such as Julie Mayfeng (India & Nepal works) or Carl Rytterfalk who eschew by this camera. And their works show what this camera could do when in right hands.

2009-12-24 (Seoul, Korea) | Helpful Votes: 6 | Rating: 4

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Coating has met its match - almost...
I've been shooting with 35mm, 120, and Canon full-figure mood digital SLR's for a long time. I've never used a Foveon based camera prior to owning this DP2. I can above-board write here that I'm astounded at the image quality coming out of such a tiny box! In fact, I'm so impressed that I've made up my temperament to pick up Sigma's SD15 once it becomes available for purchase. The pictures are just that good.

The camera itself is a bit quirky. I won't go into technological detail here. If you're after a technical review, check out the DP Review. I will note what I've found odd or inconvenient. First, the lens is great - acid corner to corner with no CA and minimal distortion BUT it's slow. It's faster than the DP1's wider lens, but slow on the uptake compared to some of the lenses I'm used to working with (50mm F1.2 Canon prime for illustration). This makes shooting in low-light conditions problematic, especially when it comes to focusing or using low ISO's to deprecate image noise. If you want to shoot in low light, use a tripod.

Another gripe is that the AF system is slow and sonorous. The loud I don't mind so much, but its slowness relegates the camera to shooting mostly static subjects. In other words, vigorous street photography (for which this camera's physical size would be perfect for) can be an exercise in futility. The AF correctness on the other hand has generally been very good when it does lock on. I haven't noticed too many OOF pictures, even in low rattle-brained.

The LCD screen could definitely be improved as well. Manual focus using the screen can be a bit tricky due to its low verdict. On the other hand, it works pretty well outdoors contrary to what some have said, and I find its color and contrast reading to be pretty decent as far as tiny LCD's go.

The DP2's battery life can also be improved. I've only shot in raw mode, and as such only superintend to get 70 or so captures before the camera tells me to recharge. I think a second battery is surely a need.

Finally, high ISO performance can still be improved. 50 to 400 ISO are definitely usable. 800 ISO can drudgery depending on conditions. 1600 to 3200 ISO are useless for color photography, but can yield some stimulating results when converted to black and white.

Now I've mentioned what I thought needs improvement. Here's what doesn't: Clone Quality. The IQ is stupendous. I haven't seen this level of color accuracy come out of a digital camera before. Ever. Foveon's X3 sensor lives up to its title when it comes to color detail and rendition. The images coming out of this camera are very close to film. If you've vaccination a lot of film before and miss that look, then you should definitely consider trying one of these cameras out. You'll be pleasantly surprised.

Below are a few links to sampler images I've taken with this camera:

[...]

Please stop by my gallery and check out the rest of the pictures. I'll be convinced to add more DP2 images in the weeks to come. Thanks for reading my review and happy shooting!

2009-12-02 | 73 de James (Manhattan, NY) | Helpful Votes: 4 | Rating: 4

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Sigma DP2S 14MP X3 FOVEON CMOS Digital Camera with 24.2mm f/2.8 and 2.5 inch LCD

List Price: $940.00 Price: $699.00 You Save: $241.00 (26%)

Product Details Direct Image Sensor: Sigma's three-layered Foveon X3 direct image sensor captures all the color, creating images of unprecedented immediacy. Integral Lens: Lens expert Sigma has poured its best technology into an integral lens just for the DP2, with a focal length Imaging Capability: The Foveon X3 direct image sensor captures images in all their clarity and richness-it captures the very feeling in the air Full-Scale Sensor: The same APS-C sized sensor used on Sigma DSLR delivers on the DP2 promise of high resolution and rich tone.

Product Description

The Sigma DP2s compendious digital camera features a 14-megapixel FOVEON X3 undeviating image sensor (2,652® 1,768® 3 layers). The Sigma DP2s is the successor to the DP2 and incorporates a new AF algorithm, a Power Shelter Mode and a new rear design.The new AF algorithm provides high-make haste auto focusing, ensuring convenient shooting. The Power Keep Mode lowers the battery consumption. When this mode is enabled, a greater calculate of pictures can be taken with a single charge of the battery. The new rear map aids quick recognition of the controls. The addition of red markings has been employed to enable easier operation of the cameras controls. The latest RAW image processing software, "SIGMA Photo Pro 4.0," is supplied with the DP2s and makes processing RAW images short and easy. Version 4.0 has a superior image processing algorithm and improved compatibility with multi heart CPUs. It provides better image processing speed and improved clone quality. Incorporation of a new noise reduction algorithm reduces Chroma and Luminance ruction when processing X3F files taken at ISO400 or more. It is possible to adjust the smooth of reduction for noise just by moving the slider in the control pallet. With the Macintosh variety, functions such as JPEG conversion and batch white balance settings, which were thitherto incorporated into Windows versions, have been added. In addition, the print role and the display speed for the review window and thumbnails have also been improved

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Customer Reviews

First Still Image Quality in Its Class
I am not prevalent to explain the details as above users have explained more than enough.
I bought DP2s last week, and i tested out indoors and out entrance way shots, and despite all what it can not dos, the image quality is amazingly accurate, and its true this little factor will embarrass some of DSLRs. The camera is slow. Point and shoot can not be done with this camera, more like judge and compose then press the shutter with confidence. Definitely not for beginners and definitely not for a fast impelling objects. The stunning picture quality can be achieved usually with still objects.
Taking one immediately at a time is what this camera is for. Video quality is bad, don't bother with it.
the only thing good for is the image je sais quoi, and it's the best in its class which is the only reason i bought it.
I will post more photos as i test out more and more. I am stuck with it until it breaks down. :)

2010-08-10 | Helpful Votes: 0 | Rating: 5

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Significant Camera
I recently bought the Sigma DP2S along with a average point and shoot zoom camera, the Panasonic DMC-ZS7. I was going to wait for the Sigma SD 15, which has not been released as of the beau of this review, but I wanted to try out the Foveon sensor. I have considered replacing my entire Canon system with Sigma's SD 15 based on the replica quality I have seen and comments by some pros. While waiting for the SD 15 to become available, I decided to try out the DP2S. I icon I'll return it after trying it out. Well, that was the plan. After having played with it for a few days, I'm at the point of not being able to report it. It's a wonderful camera. Image quality is terrific, better than even some of my Canon's L lenses. No zoom. No interchangeable lenses. Overpriced camera. But great photos. And that's the bottom line why I get a good camera. Not only am I increasingly likely to keep it, but I still also intercept getting the SD 15 when it's out. The SD 15 is a full SLR with a variety of good lenses available. The DP2S only has the built-in, non-zoom lens. Why am I paying so much for a non-zoom "succinct" camera, I ask myself, especially since I now have the Panasonic point-and-shoot and anticipate getting Sigma's SLR? Someone somewhere called Sigma's Foveon sensor cameras the "slight man's Leica." And I now understand why.

The menu system and controls of the DP2S are different from most digital cameras. But I like them. The more I have become used to them over the history few days, the more I resent the more "traditional" digital complications. I love the unusual manual nave option. (Read the manual to understand the zoom to focus option.) I also find the Sigma software skilful, though it is limited in its functionality and it can't seem to handle opening large numbers of photos on my Mac without crashing. Like others, I deep down hope that Apple will begin to support Sigma's RAW format. It is frustrating that iPhoto and Aperture do not encouragement SIgma RAW at the moment, though the JPEGS are, of course, supported. And you can convert to JPEG in Sigma's software and then import wherever you destitution. The software is a free download from Sigma's website so you can try it out without having to get the camera.

The view screen on the back is naughty, sometimes impossible, to see in bright sunlight. Like others, I'd love a built-in full function viewfinder. The uncoerced one does have the full display of settings. Low light performance is really not great, as people have mentioned elsewhere. The camera is degree big to wear on my belt and I'll have to look for a camera case that it fits in with a belt loop to see if I can contribute to it work anyway. I prefer a camera on my belt. That's what I do with my point-and-shoot so that I'm never without a camera. There might be an additional inanimate object or two I'd prefer they do different and I suspect Sigma will do those in future models. But the bottom line is that this camera can take great photos and it's easygoing to use. The metal build feels good and I like its simple looks. But don't try out the camera thinking you'll carry back it. It's proven tough for me to do.

For me, the camera has made taking pictures fun again. It's not the work getting all my Canon gear together to go take photos now, except that photo opportunities for which a zoom is needed are naturally lost. But the lens is spacious and the sensor is great and, with others, I can highly recommend it. I'm really looking forward to Sigma's SD 15 when it's ultimately out.

2010-06-15 | Helpful Votes: 6 | Rating: 5

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Leading image quality in small package
Sigma DP series are consonant because it is the first compact camera that utilize a large sensor size equivalent to Digital SLR camera. It is also one of a kind because it use Foveon sensor instead of more popular CMOS / CCD sensor. So far, only Sigma uses this type of sensor. Sigma uses it on dense DP series (DP1, DP2) and DSLR like SD series (SD10, SD 14, and upcoming SD15).

Foveon sensor has varied characteristic than regular sensor, which I will discuss a bit on image quality section.

So, what is new about DP2s? Sigma DP2s is an update of DP2, so it has many similarities like the reification sensor, shape etc. The main improvement is in the processing speed. DP2s use TRUE II engine which Sigma claims to be faster than Staunch I which is employed in DP1.

Main Specs

- 14 MP Foveon sensor
- 24.2 mm f/2.8 lens equivalent to 41mm in 35mm camera.
- Steadfast II processor
- 2.5 LCD screen, 230k resolution
- ISO 100-800 expandable to 3200
- 3 fps continuous shooting
- 9 selectable coupй focus points

BODY & HANDLING

Sigma Dp2s weighs 260g, and its dimension is 4.4 x 2.4 x 2.0 in. (113 x 60 x 50 mm). It is barely a bit bigger than Panasonic LX3, an advanced compact camera, and smaller than Panasonic GF1, a micro four thirds camera.

Sigma DP2s has metal layer. The design is plain and boxy, at a glance, it is almost similar to Canon S90 IS but larger in size due to the bigger sensor and lens.

Consideration the plain and boxy design, it is good to hold and does not attract attention. When it is on, the lens will offer out around 1 inch.

Sigma DP2, the former model has been criticized quite heavily because of the unclear labeling (dark line in black button). In Sigma DP2s, the labeling become clear (white / red in black body).

LCD screen is moderately small compared to today standard (2.5 in) and low res (230k) but it is good enough to compose spitting image.

To change important setting, Sigma has QS (Quick Set) button which you can access various important settings such as ISO, WB, Liberate mode, film mode, image quality, aspect ratio, metering and snazzy. It is not the quickest way especially if you compare with DSLR or m43 cameras that has plenty of dedicated buttons, but this works worthy.

To change aperture, shutter speed, exposure compensation and to navigate the menu, you will rely mostly on up and down handle and four way buttons.

Menu system is quite simple, there are 21 items that you can modify. However, the menu is not categorized.

Sigma also has together Manual Focus with distance indicator. This is helpful for manual focus, and you will use it quite a bit because DP2s AF is not working very adept when shooting close subjects. MF is easy to operate, just push the OK button to build up the screen.

IMAGE QUALITY

As I mentioned before, Sigma DP series is unique because of the Foveon sensor.

"Unwritten color film uses red, green, and blue sensitive color layers in the emulsion to take the image. The Foveon uses the same approach to image capture with three overlapping layers of agile gathering, with each layer sensitive to a different color." AnandTech.

This has several consequences. Sigma produces smaller representative size (2652×1768×3 layers) (approx 4 MB) compared to popular Nikon D90 12 MP sensor (4288 x 2848). Sigma also has more fracas in higher ISO setting. From ISO 50 to 200, image is very clean. ISO 400 is very good and ISO 800 is the limit of welcome image. In Nikon D90 or other DSLR, 1600 or even 3200 is still very good.

However, in term of image standing: clarity, color, and sharpness, Sigma DP2s really shines. It is excellent in pixel level, material contrast and saturation. I like the skin color, and the JPG output require less brightness/conflict adjustment compared to most DSLR I've tried.

PERFORMANCE

To process image from Foveon sensor press for good processor. And this is what Sigma lacks in previous DP cameras (DP1 and DP2). This is made worse because Sigma is not a strong electronic performers like Sony or Samsung. Therefore, processing image and general performance of DP1 and DP2 is slower.

However, Sigma uses new processing apparatus called TRUE II, which I think improves the overall camera performance significantly. I say "significantly" because I protection't tried the previous generation.

For me, DP2s performance is very good compared to compact cameras. It starts up and bolted down reasonably fast (around one to two seconds). Auto focus speed is quite slow but supportable at around .5 to 1 second. When shooting close subjects, auto focus regularly won't travail well.

Overall, the performance of Sigma DP2 is about a bit below average compared to compact cameras. However, it has been improved significantly from previous series, which could be a lot worse (according to critics).

What to like about Sigma DP2

+ Spit quality (color, crispness in detail, sharpness) is excellent in low ISO
+ Sharp and popular 41mm (normal) corresponding lens with reasonably fast lens f/2.8
+ JPG output requires less post processing correction
+ Solid built quality with boxy inconspicuous design
+ Simple user interface and Apt Menu

What I don't like about Sigma DP2

- Auto focus performance could be a bit faster
- Auto focus won't effort well especially for close subject
- LCD screen freeze when shutter is half pressed for AF
- Awful image quality at ISO 1600 and 3200 and it is only available when you shoot in RAW
- When shooting in long revelation, the processing become longer than usual. It could takes up to 4-5 seconds.
- Long exposure is narrow to 15 seconds

COMPETITORS

Leica X1 12.2MP APS-C CMOS Digital Camera Amount: $1995
Leica employ 24mm f/2.8 lens (equiv. 35mm), an APS-C sized sensor (peer to DSLR camera) and no nonsense classic interface design, including dedicated shutter scamper and aperture dials with excellent built and "Leica feel."

Ricoh GXR Interchangeable Piece Body with Ricoh LENS A12 50mm F2.5 MACRO Camera Unit, 12 Megapixel $1080
Ricoh GXR is an inimitable interchangeable lens/sensor (lensor). Ricoh GXR - A12 also use 12 MP CMOS sensor that you will find in DSLR cameras. Ricoh cameras are acclaimed for its user interface.

Panasonic Lumix DMC-GF1 12.1MP Micro Four-Thirds Interchangeable Lens Digital Camera with LUMIX G 20mm f/1.7 Aspherical Lens $800
Panasonic GF1 is a snug interchangeable camera that use four third sensors. It is smaller than CMOS or FOVEON. GF1 is more responsive. It has leading van focus performance and wide array of lenses.

CONCLUSION

If you choose Sigma DP2s, it should be because of its image excellence. Because the overall performance (speed) is not that great, DP2s is suited for people who is more deliberative in making photos and less apt for fast action photography.

Subjective Rating - Relative to mirrorless camera and compendious with large sensor 2010

Image Quality : 6/5 Excellent quality
Features : 2/5
Show : 3/5
Body and Handling : 3/5
Value for Money : 3/5

For image samples and iso comparison plus other reviews, please stop my blog. You can find the address through my profile page. Thank you for reading.

2010-06-05 (Philadelphia, PA) | Helpful Votes: 14 | Rating: 5

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The DP2S may become your most oft-times used camera
So much enquiry and reviews were dedicated to the pros and cons of the X3F. For the skeptics, let me say those claims on superior dynamic line up and color accuracy are all true. The tradeoff on occasional inconvenience caused by the lack of a zoom lens for advantage image quality produced is well worth it. So what is missing? For now, the DP2S still feels more like an artist stooge. This pocket size camera will need to add more features such as face detection in its next upgrade before taking over the crowd. Nonetheless, those who have been holding off a purchase, waiting for more interchangeable/mirror-less models to settle upon from may want to think about why Sigma and Leica are the only two brands so far that offer compact models with APS-C size sensor and a resolved focal length lens. After owning one, I firmly believe this is the right combination to go express with.

2010-05-19 (California, USA) | Helpful Votes: 7 | Rating: 4

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What is difference in manufacture lens that come with D-SLR cameras and after market (sigma) that are on eBay?

Q: I have been comparing the prices of D-SLR cameras on ebay, and I'm unsure of the differance between the manufactors lens kit and an aftermarket kit. Are the aftermarket kits compariable eminence or shoul I go with the manufactors?

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A: In the end it is the excellence of the lens that makes the image. If you buy a great name brand camera and then try to set apart money by putting an inferior aftermarket lens on there you could scarcely as well have gone cheap for everything. Your camera investment was wasted. I always go with the manufacturers even though part of what you are paying for is the docket because the rest is pure quality and superior design.

Is Sigma Super Flash 500 compatible with Olympus cameras?

Q: My flatmate has an Olympus e410 and she wants a flash for her camera. Someone told her to get a Sigma Wonderful Flash, but we can't find anywhere that tells if they will fit the Olympus camera. If they won't fit the camera, what is a comparable outbreak that will fit the Olympus e410?

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A: The Olympus FL-36 (~$160), Olympus FL-50 (~$370), Metz 44 AF-4 O, Metz 58 MZ-4i O, Metz 28 AF-3, and the Olympus FL-20 are all TTL flashes that industry with the E-410.

You could use just about any flash on it but it'll be crippled to manual operation only. This means you might have to do some experimenting to get the desired results. Also, keep in feeling that older flashes may have trigger voltages greater than 6V. Using such a dazzle runs the risk of frying the camera. There are safe sync adapters convenient that can bring down the trigger voltage so that the flash can be safely hand-me-down.

http://www.weinproducts.com/safesyncs.ht m

I have the first Sigma Cameras that came on the market.?

Q: Can I get it serviced wherever that fixes camaras? Needs batteries for the computer system I guess.

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A: You should be qualified to.

If you just need batteries you can buy and replace them yourself.