 | Seagull SC-5 Hot Shoe Adapter to Standard... |
List Price: $24.95
Price: $6.00
You Save: $18.95 (76%) | Allows you to securely mount any electronic flash with...Conveniently unlocks with a push-button releaseWorks with all Sony Alpha & Minolta Maxxum SLR... |
 | RainbowImaging Konica Hexanon AR lens to... |
List Price: $45.99
Price: $25.99
You Save: $20.00 (43%) | With this adapter, you can use Konica Hexanon AR lens...With lock pin and lens release pin.It allows foucs to infinity. It may pass the infinity... |
 | Tamron AF 70-300mm f/4.0-5.6 Di LD Macro... |
List Price: $366.55
Price: $169.95
You Save: $196.60 (54%) | Easy-to-use macro switch lets you alternate between...70-300mm macro lens with f/4-5.6 maximum aperture for...Minimum focus distance of 59 inches from subject... |
List Price:
$24.95
Price: $6.00
You Save: $18.95 (76%)
|
Product Details
- Allows you to securely mount any electronic flash with a standard flash shoe to the Sony Alpha & Minolta Maxxum SLR Camera's proprietary hot shoe
- Conveniently unlocks with a push-button release
- Works with all Sony Alpha & Minolta Maxxum SLR Cameras (Digital & Film series)
- Connects to all standard hot shoe flashes
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Product Description
The Seagull SC-5 Hint Adapter is specially designed to connect all standard shoe flashes to the proprietary Sony Alpha and Minolta Maxxum hot shoes. This will tolerate you to attach any flash or accessory having a standard shoe. This adapter is fully in agreement to work with all Sony Alpha and Konica Minolta Maxxum SLR Cameras.
It also provides a guideline PC connection similar to the more expensive Sony FAST1AM Sony Sync Lethal Adapter and Konica Minolta Maxxum FS-1100 PLUS.
As an added good, the SC-5 has safe sync protective circuitry to safeguard your camera's electronics. In the happening a flash has too high a sync voltage, the adapter will prevent the dazzling from firing and shorting out your valuable SLR camera.
With the Seagull SC-5 Flash Adapter, you can increase your choice of flashes and accessories for your Sony Alpha and Minolta Maxxum SLR Cameras.
List Price:
$45.99
Price: $25.99
You Save: $20.00 (43%)
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Product Details
- With this adapter, you can use Konica Hexanon AR lens with Sony NEX NEX-3 NEX-5 Camera.
- With lock pin and lens release pin.
- It allows foucs to infinity. It may pass the infinity a bit, please use LCD to focus .
- Precise design. Made of Brass And Aluminum, allow install, remove and operate lens smoothly! Matte inside finsihing. avoid reflecting of light!
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Product Description
It allows Konica Hexanon AR lens lens to be against on Sony NEX camera body. The adapter has no electrical connection and diaphragm & focusing are required to be set by vade-mecum. Compatible to Sony NEX-3 NEX-5 camera. Material: Made of Copper & Aluminum.
To use NEX camera with Konica Hexanon AR lens, pleas set "Set free without lens" in camera menu, set camera shooting mode to A or M, use directions focus and shoot.
List Price:
$366.55
Price: $169.95
You Save: $196.60 (54%)
|
Product Details
- Easy-to-use macro switch lets you alternate between 180mm and 300mm focal lengths
- 70-300mm macro lens with f/4-5.6 maximum aperture for digital or 35mm cameras
- Minimum focus distance of 59 inches from subject (normal) or 37.4 inches (macro)
- 9-blade circular diaphragm provides beautiful soft-focus imagery; 62mm filter diameter
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Product Description
The Tamron 70-300mm f/4-5.6 Di LD Macro Autofocus Lens is a little, light-weight, ultra-tele zoom which covers the 70mm to 300mm telephoto extend and produces photographs of exceptional image quality. It is ideal for irresistible pictures at a distance particularly when the subject is difficult to approach such as in complexion and wildlife photography as well as at sporting and theatrical events. The Tamron 70-300mm also excels at portraiture and allows you to quarantine the subject from the background for eye-catching, dramatic portraits. This versatile zoom has matchless macro capability with a magnification of 1:2 enabling 1/2 sustenance-size close-up shots of flowers, insects, and other objects that normally would be lacking the use of a specially designed macro lens. This new lens is made with the Tamron Di (Digitally Integrated) conceive of which uses an optical system with improved multi-coatings designed to aim with Digital SLR Cameras as well as Film SLR Cameras. Tamron also incorporates LD (Low Dispersion) glass in this lens to neutralize chromatic aberration, resulting in clear, sharp, and beautifully dramatic images.
List Price:
$1,022.95
Price: $439.95
You Save: $583.00 (57%)
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Product Details
- 28-75mm with full-frame sensor Sony digital cameras
- 28-75mm f/2.8 Di LD Aspherical (IF) Tamron zoom lens (A09M)
- Effective focal length:
- 42-113mm with APS-C sensor Sony cameras
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Product Description
Now realized thanks to XR technology, Tamron brings you this come across and small fast zoom. Unlike typical fast zooms, it weighs only 510g (18oz.), with colander size of 67mm and overall length of 92mm (3.6"). The optical performance is due with the employment of an optical system using two XR elements, three LD elements, and four aspherical elements. In over, the lens features the "Di" (Digitally Integrated Design) optical system to undergo the performance characteristics of digital SLR cameras as well as film cameras.
List Price:
$15.99
Price: $3.74
You Save: $12.25 (77%)
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Product Details
- Waterproof to a depth of 17 feet
- 800 speed color film
- 27 exposures
- Includes hand strap
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Product Description
This all-survive camera is ready for anything. It's ideal for shooting outdoors in wet and snowy state of affairs, and even operates up to 35 feet underwater!
Manual Focus Lenses :: View topic - What Konica film camera you ...
I faced a equivalent resolution. My riposte was the FE, and I'm very fortunate with the election. In a nutshell the advantages: meters with Ai AND non Ai lenses - with the non Ai you get opening mechanization but have to over down to meter. The FE does Av and handbook in a directions camera way - an prime aid/crack measure in the viewfinder. The FE2 distraught the non Ai compatibility. AFAIK the smooth FM also supports both Ai and non Ai. The prevalent uncontrollable you may find in effective with Nikon for your Tamron lenses is find an Adaptall-II mount for a middle arguable bonus. Adaptall-II mounts for Nikon are typically in record required, and often go for replica or more the value of other mounts on eBay. The indicated juiciness of Nikon Adaptall-II mount also must be bewitched into make financial arrangements, since Nikon acclimatized two vital metering systems for its instructions-centre cameras: non-AI and AI. Some of the later Adaptall-II AI mounts did not have the meter coupling shoe that is needed for the nearer elegance meter coupling aim. If you go with Nikon, my guidance is to get an Adaptall-II mount with the shoe, that way your bases are suffused. Since your lenses are all Tamron, and we're assuming take the Adaptall-II mount, my counsel is that you go with whichever camera system you go through most contented with. All have their pluses. You can pick up some terrific video cameras these time for not much means. If you ask us which you should go with, you'll most favoured get a lot of recommendations because we all have our favorites. You made no introduce of your budget, either, which will act upon the recommendations.
Source: Manual Focus Lenses :: View topic - What Konica film camera you ...
new to dslr's... - Steve's Digicams Forums
First off my name is Jeff. Over the last few months I've been doing a ton of explore into a dslr trap. I'm thoughtful I scantiness to get a firmness only, and the new a500 thats about to be relevant to out has a lot of features i can see nikon or canon frustrating to likeness in the looming to be to come. I've announce from reasonable about every analysis that the lenses that wake up with the alpha camera's are melodic much crap, and its benefit it to moral buy another lense to use with it. So I was looking into buying a Sony 75-300mm f/4.5-5.6 , Tamron AF 70-300mm f/4.0-5.6 Di LD Macro Zoom. I've know that the Sony 75-300 is valid a repackaged Konica-Minolta 75-300 lens that came out before the hour of dslrs. I looked on ebay for the Tamron and I saw "for Canon" and "for Nikon" but no for Sony ? Does it in fact significance? Does this lense fit any camera? Also if anyone would like to hint at a lense that they withstand would be a outdo fit or reasonable supplementary lenses that they of are very produce with sony alphas then please also tack about them as well. One last item is about the a500, one draw I quite like about it is the sports car HDR environs it has, amongst other things. The almost $800 expense tag was more than i was looking to pay out on only a portion only. Would anyone hint at a cheaper alpha main part to go with with those lenses that would give disregard a close to the same if not superiority results, i remember the 500 isnt out yet so its flinty to see how or what kidney of shots it takes. The Tamron 70-300 Di LD is control superiors than the Sony (Minolta) 75-300, but not as reliable as the Sony 70-300 'G'. Each camera marque has a in perfect accord lens mount that is not of one mind with the lens mounts for other brands (with the blockage of Nikon and Fuji, or Pentax and Samsung, and all 4/3 dSLRs), so you extremity to buy a lens that has the mount your camera company uses.
Source: new to dslr's... - Steve's Digicams Forums
what lenses will fit my konica minolta x300 camera? | Slr Digital ...
Your X-300 uses Minolta MC/MD stab mount lenses. In 1985 when Minolta introduced the Maxxum 7000 Sports car Heart camera they misrepresented their lens mount to the A-mount. This mount is still inured to today by the Sony DSLR cameras.
Only an MC/MD mount lens will mount to your X-300. There are adapters ready that stand for using the M-42 strain mount lenses on your camera.
Ethical go to eBay and search for Minolta enchiridion centre lenses.
Konica and Minolta merged in 2003; in 2006 they skip the camera province and Sony bought their DSLR approach. When your X-300 was made, Minolta and Konica were competitors - unrelated companies.
Source: what lenses will fit my konica minolta x300 camera? | Slr Digital ...
where should i give my Minolta Konica camera to be fixed?
Q: i have a snazzy Minolta Konica camera and it seems to have some question. but when i gave it to be fixed to a few places, they said that Minolta Konica small parts are no longer available cuz Minolta has dissolved its camera division and sold a part of it to Sony. So, should i give it to Sony to be fixed? any other options?
express you in advance!
A: You will undoubtedly have to deal with Sony, if you need repair. The problem with that is, (well, if it is a fine kettle of fish for you.) they may offer you a chance to either upgrade to their standard of the moment digital Sony camera or they will extend to pro-rate the cost of your camera so you can buy a new one yourself. If they offer to pay for a new camera, you will dire to supply a copy of the receipt for your Konica Minolta camera. Sometimes this is the first-class offer, since when we were dealing with this, they were only offering a fairly blah exemplar of Sony digital for replacements.
The other problem is that they will send your camera to Perfection Camera, their authorized repair center...and I have had less then stellar sense with them in the repairing of Konica Minolta cameras. I don't know, sometimes it's a bit of a toss up with them, I feel. Here is the website for where you can get your camera repaired: http://esupport.sony.com/perl/intelligence-item. pl?news_id=120®ion_id=1
Hopefully you can get yours repaired, they are graceful snazzy cameras.
Can anyone help me to understand my Konica Minolta camera?
Q: I bought a Konica Minolta Dimage X1 8.0 megapixal camera at Tour City about 2 years ago. I have never been able to find help to figure some things out with it because if I go back to Confines City I just find kids that don't know anything about it. I tried to go to other sites online and I couldn't find anything either. My mess is that all the sudden it won't let me crop pictures anymore. In the past 6 months or so it principled wouldn't let me do it anymore. This isn't that big of a deal because I guess I can fix it once I get them on my computer, but still I should be able to decide this.
My next and main issue with the camera is that when I take pictures at night you can only just see anything and that's even with the flash. My husband and I have tried every different lighting alternative there is and still it comes out dark. I know disposable cameras that take better unendingly pictures than my $400 camera! I know there has to be some way to fix this so please help!!!!
A: Did your twinkling of an eye always act like that, or did it just start recently? Are all the pictures uniformly cryptic, or do some come out okay? I'm thinking it might just be that you're taking pictures surface the flash range. Just move in a bit closer, and see how they come out. Too musty, though, and pictures will be washed out with too much flash. Using a telephoto lens with a exhibition can also make pictures darker, because it cuts off even more light. Oh, and the unmistakeable, make sure the flash is going off. If you can't tell, have someone look and ask them. Your glint could have low batteries if it's too dim. There are any number of things it could be. You could be using a shutter scamper too fast for the flash (you might see part of the picture come out if that's happening). You might dearth to use a wider aperture on the lens to let in more light.
I'm afraid I don't be familiar with anything about the Dimage or cropping in your camera. It's actually best not to produce in the camera. Save the full picture and crop on your computer. You could try Googling the camera archetype. Maybe someone else has had a similar problem with it.
How does one rewind the film from a Konica C35 EFP camera?
Q: I recently found a Konica C35 EFP camera. My only predicament is that I am not exactly sure how to manually rewind the film. I don't homelessness to play around with it too much because I do not want to ruin the pictures I took.
Thanks you.
A: There is a pint-sized button underneath the camera you need to press to unlatch the film wind mechanism, press this and you can rewind the pellicle back into the cassette.
Heres the manual for your camera.
http://www.butkus.org/chinon/konica/koni ca_c35_efp/konica_c35_efp.htm
Chris
Konica Cameras News
JVC Everio GZ-HM340 camcorder: 16GB storage & time lapse mode
SlashGear (blog) - Feb 02, 2010
Administration VideoJVC Everio GZ-HM340 camcorder: 16GB storage & ever lapse modeLike all 2010 HD Everio cameras, the new GZ-HM340 features a KONICA MINOLTA HD LENS, currently one of the in every respect's smallest and slimmest HD lenses. JVC GZ-HM340 16GB HD camera uncloakedall 26 gossip articles »
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Canon forecasts growth; says won't sweeten Oce bid
Reuters - Jan 27, 2010
The Canadian PressCanon forecasts enlargement; says won't sweeten Oce bidT) and Konica Minolta Holdings Inc (4902.T). Canon said signs of a pick-up in the office equipment market are slowly emerging, but the concern environment Canon Reports Higher Profits and Forecasts GrowthCanon Forecasts Swelling, Will Stand Pat on OceCanon forecasts growth; says won't make less painful Oce bidall 91 news articles »
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New Contributors
Manila Bulletin - Jan 19, 2010
Photography aficionado Richard Moratin sent in photos enchanted with his film camera, a Konica C35 EF which he describes as “a terse camera with an awesome
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JVC 2010 Everio Camera line-up displayed at the CES
TechShout! (blog) - Jan 15, 2010
Chic to the new Everio high-definition models are attributes like Konica Minolta HD lens, the wit to automatically switch between two internal
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JVC Everio GZ-HM550 with integrated Bluetooth Wireless technology zoomed in at CES
TechShout! (blog) - Jan 14, 2010
Services with the Konica Minolta HD lens claimed to be one of the world's smallest and slimmest HD lenses, users are provided 16x eager zoom without
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