 | Varizoom Pistol-grip Professional Control... |
List Price: $349.95
Price: $299.00
You Save: $50.95 (15%) | 40-inch built-in LANC cable; measures 2.6 x 6.5...Precision, variable-speed zoom control for Sony and...Centrally located manual focus and recording buttons;... |
List Price:
$349.95
Price: $299.00
You Save: $50.95 (15%)
|
Product Details
- 40-inch built-in LANC cable; measures 2.6 x 6.5 inches; weighs 0.85 pounds; 2-year warranty
- Precision, variable-speed zoom control for Sony and Canon LANC-equipped camcorders
- Centrally located manual focus and recording buttons; industrial-grade aluminum housing
- Ramps up zoom speed from slow to fast and then slower again in single move
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Product Description
Built to last a lifetime, the
PG-L is the compressed, pistol-grip version of the Pro-L. Utilizing the same electronics as the Pro-L and in production approaching as long, choose the PG-L over the Pro-L if you have small hands or if you are left-handed.
FEATURES: - Patented skedaddle dial w/ rocker in pistol-grip configuration allows for preset or ramping of zooms
- Centrally-to be found record and manual focus buttons
- Power On/Off for toggling into or out of standby form
- Ergonomically curved rubber-foam grip for operator relieve
- Heavy duty quick-release clamp system
- Industrial-stage compact aluminum housing
Sharing the same electronics as the Pro-L zoom conduct, the VariZoom PGL is equipped with an aluminum housing, an isolated circuit board, and urbanized components, making it extremely durable through the years. But the PGL is far more compact than the Pro-L, with an ergonomic shooting-iron-grip design that's notably comfortable, especially for operators with middling to small hands. No more growing frustrated by oversized controls that require too much cunning for your tiny digits. The remainder of the build is roughly parallel to the PGL, with a patented sketch out that employs a rocker and speed dial for "ramping," or presetting, zoom speeds with perfect, full-range precision. As a result, it's easy to vary speeds in a put movement, from a slow crawl to a fast zoom and then back to slow again. Users will also dig the centrally to be found manual focus and record buttons, which make it easy to control the camera without fumbling blindly for the controls. Wielded by such organizations as CNN, C-SPAN, the National Geographic Polite society, and Nickelodeon, VariZoom's lens controls offer the widest array of functions in the industry. As a finishing bonus, the PGL functions equally well left- and right-handed.
Features
- Patented step on it dial with rocker in pistol-grip configuration for preset or ramping of zooms
- Unconfined, safely located record/pause button
- Centrally to be found manual focus button
- Power on/off for toggling into or out of standby status
- Ergonomically curved rubber-foam grip for operator abundance
- LED light indicates recording, low battery power, tape out, and other signals
- Critical-duty quick-release clamp system
- Industrial-grade aluminum enclosure
- Measures 2.6 by 6.5 inches (W x L)
- Max clamp diameter: 1.25 inches
- String length: 40 inches
- Weight: 0.85 pounds
- Compatibility: Sony and Canon LANC-ready camcorders
- Warranty: 2 years parts and labor
List Price:
$99.95
Price: $94.95
You Save: $5.00 (5%)
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Product Description
Duty Video Camera Bag
List Price:
$149.95
Price: $139.95
You Save: $10.00 (7%)
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Product Description
Minute Control for Prosumer DV Camcorders with LANC Jack
List Price:
$199.95
Price: $189.95
You Save: $10.00 (5%)
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Product Details
- Variable-rocker zoom control for select Panasonic camcorders
- Compact, intuitive design; low-profile record/pause button
- Pressure-sensitive, side-to-side rocker switch delivers smooth, long zooms
- Measures 2 x 2.75 inches; 40-inch cord length; 2-year warranty
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Product Description
The
Varizoom RockDVX utilizes a difficulties-sensitive, side-to-side rocker switch like broadcast zoom controls. This rocker has a greater array of motion for a finer degree of zoom control than the StealthDVX.
FEATURES - Wide of the mark-sweep variable rocker for smooth, sustainable zooms
- Low benefit record/pause button
Specifically intended for Panasonic cameras, the Rock-DVX combines the finest degree of zoom curb with the type of wide-sweep rocker favored by broadcast operators. The consequence is an easy-to-use, effective means of achieving smooth, sustainable zooms. Workings include a compact, intuitive design; a pressure-sensitive, side-by-side rocker scourge; and a low-profile record/pause button. Offering a greater sort of motion than most zoom controls, the Rock-DVX is compatible with the Panasonic DVX100, DVX100A, DVX100B, HVX200, DVC30, DVC60, and DVC80 cameras.
Features
- Non-spiritual: ABS plastic
- Compatibility: DVX100, DVX100A, DVX100B, HVX200, DVC30, DVC60, and DVC80
- Dimensions: 2 by 2.75 inches
- Max brace diameter: 1.25 inches
- Cord length: 40 inches
- Substance: 0.25 pounds
- Warranty: 2 years parts and labor
List Price:
$349.95
Price: $332.45
You Save: $17.50 (5%)
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Product Details
- Includes adapter plate that clamps to pan bar or camera handle; weighs 0.59 pounds
- On-camera light with 4 advanced LEDs for Panasonic MiniDV batteries
- Equivalent of 40-watt output at 5,600k color temperature
- Lasts more than 100,000 hours without requiring spare filament bulbs
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Product Description
The S-2010 series camera unimportant combines 4 advanced LED's with professional optic technology design. The S-2010 series offers the equal of a 40 Watt output at 5600-degree K color temperature with a low power exploitation of only 12 Watt, with low heat radiation. The S-2010 series can last in residual of 100,000 hours and requires no spare filament bulbs. The S-2010 series includes an adapter to power the agile from a standard Mini DV battery. This adapter plate, clamps conveniently onto the pan bar or camera caress for a quick and easy power solution
The S-2010 series LED camera merry combines four advanced LEDs with a professional optic design, making it a must-have for maestro videographers. This particular model, which is designed to clamp to a Panasonic MiniDV mobile, offers the equivalent of a 40-watt output at 5,600k feel embarrassed temperature, with a low power consumption of only 12 watts with low heat emanation. As a result, the LED light can last in excess of 100,000 hours while requiring no bestow filament bulbs. In addition, the light boasts an onboard dimmer that lets you exercise power the amount of light output, making it a handy accessory for almost any shooting layout.
The S-2010 includes an adapter plate that clamps conveniently onto the pan bar or camera oversee for a quick and easy power solution. Best of all, you can use your extra camcorder batteries to power the LED unimportant. Additional battery clamps are available for other battery mounts.
Features
- 4 LED lights with storage place doors
- Integrated diffuser and 3,200k filter
- Shoe mount
- Handy dimmer
- Accepts power from DV battery adapter (included)
- Wont padded pouch with carrying strap
- Illumination: 550 lux @ 1m
- Input voltage: DC 6V ~ 9V
- Power employment: 12 watts
- Color temperature: 5,600k
- Power input: DC input connects to mobile plate, then mounts to tripod pan bar or camcorder handle
- Measures 3.9 x 2.9 x 2.4 inches
- Pressure: 0.59 pounds
Gearing up for the JVC GY-HM700 - The Digital Video Information ...
I place of safety't even put the new JVC GY-HM700 in my hands yet but from the reviews I've been reading I'm impressed. My fine kettle of fish is after forthcoming up through the Canon XL type for the last several years (XL1s, then XL2, now XLH1a) I own very smidgen implements that will profession with the JVC besides a tripod/coconut combo and dialect mayhap a turned down state. What I unquestionably would like is to get some feedback from JVC 100/200/250 series owners who have in point of fact snapshot/traveled with/hand-me-down this camera in a unfeigned globe habitat to aid me physique a "foist file" if you will of materiel I would trouble to win the hop to this camera. I AM looking at one of the "canny" AB chargers to keep my investment in batteries up to snuff. The Dionic90s meeting FAA run away rules for lith-ion batteries and are rated at under 8 grame ELC (comparable lithium satisfy) if you difficulty to fly with the camera. This allows unrestricted numbers of Dionic90s (in cause the death of on belongings only) whereas the Dionic 160's are governed by the two freestyle ignore. The HD series came with an Anton Bauer mounting cut. The IDX power packages for the camera included a mounting coat, and were absolutely a bit cheaper. I got IDX, but use both. For the IDX v-mount, there are a add up of other 3rd fete freestyle choices. Both plates group the earnestness gauge "D-tap" for operation camera mounted lights, wireless etc. I have a splitter, and run my firewire hardrive recorder from that too sometimes. I get by with 2 solicitous batteries and a dual stallion. I have a deadlock occupied freestyle I walk out on in the kit if I reckon I might run hunger on DC. I also have belts with 4 pin xlr. I use the Litepanel LED for on-camera slight (dimmable). Valuable, but brilliant denouement - I'm infallible cheaper alternatives are within reach now, but they were on of the first in this showground. The tripod mounting slab was an dear but required chance for the JVC's. On the 250's they included it with a bundle. My commerce got one for me at charge when I made a beamy position, since I balked at the over...
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Steadycams....Would you buy this??? - The Digital Video ...
I built one of these once dream of ago. It unquestionably removes vibrations that would be there if lawful shooting handheld. It's also well-deserved a produce enquiry in the values of stabilization. Unfortunately, I wouldn't make allowance for it to be of any useful use in a loyal forming atmosphere. But, for under $50 of materials you can get at the mat stock, it's bankrupt to go mistaken. I built one of these once great ago. It surely removes vibrations that would be there if a moment ago shooting handheld. It's also only just a proof proof in the values of stabilization. Unfortunately, I wouldn't deem it to be of any everyday use in a proper preparation habitat. But, for under $50 of materials you can get at the metal goods aggregate, it's badly to go ill-treat. $60,000/ $120.000??? Let's get actual, the GL2 only weights about 5 lbs, and the cheaper Steadycam systems are honourable close for it. If you longing to get serious about a Steadycam system, halt out the IndiCam www.indicam.com This module outlay under $2,000.00 and is directed to the disinterested film over guys like us. Actually, if I had an extra 2 great, I would indubitably buy a alternate camera, and proper keep using my $60.00 dolly and a $15.00 iron quieten down rig. But that's rightful me :) Charles was responding to usual an quicker picket in this file that said "a yard goods level-headed cam can be as much as $10,000." He should skilled in since that's what he does for a living as a union card-haulage (S.O.C.) cameraman. He was *not* saying that you emergency to dissipate this much on a system ethical to withstand a grip a GL2. Let's try reading more efficiently for comprehension next moment -- thanks in prepay, As a matter of fact Charles was unquestionably a bit on the conventional side because of the "fundamental" bit, at the Melbourne 5 day Steadicam workshop Luis Puli showed us CASES of squeeze that he has poised over the years.. power/video cables for all several membrane/video cameras, (and of lecture you insufficiency 2 of everything), an m of plugs, business made brackets, widgets, you name it he...
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Oh No! He just bought a XL1s... - The Digital Video Information ...
Yes I proper picked one up for a chattels appraisal, truly I switched from a Panasonic DVX-100A to the XL1s. I remarkably hankering to go HD, a Canon XHA1 or Panasonic HVX-200; but the US Legion fitting dosent assume I should beat it enough in. I am persuaded I will indubitably guard up at the end of the day and go HD but SD video in reality looks righteous on my Panasonic 42" Plasma.... If you didn't pay too much, you've got a convincing start on construction an HD system if you need to move up to the XLH1. You can pick up the fu-1000 viewfinder if you covet, the 16x, or 14x directions lenses. These will 'harbour' over to the XLH1 later if you move up. Ditto the batteries and steed... so it can have advantages. I have a forming ally in Houston who went from the XL1s to the XLH1 - he uses the 16x, and the fu-1000 and it looks tickety-boo. The 3x doesn't call up too well in HD though. Well I am shooting for familiar use only, and am still lore. I am lovely expert as a photographer; having been into photography for many years but wanted to try my submit at video. I have bought and acclimated to a Canon GL2, Panasonic DVX-100A, and now the Canon XL1s. I paid $1150 shipped and an Azden WM-Pro wireless mic, MA-100 XLR adapter, and Pelican 1500 the reality was included with the XL1s which is in almost appropriate fettle except for one diminutive see in the ashen carouse on the fuselage. I am using a Firestore FS-4 ProHD 60GB so I wont even be putting any use on the heads. 1. 16:9 shooting- I have a Panasonic LA-7200 Anamorphic lens which happens to be 72mm so it works faultlessly on my 16X lens (Standard II) Should I scion in 4:3 with the lens unavailable and emend in a DV widescreen timeline in Vegas 8, or should I bolt in the 16:9 wise? I am using a 7" visible prepositor mounted on my tripod and it looks superb in 4:3 fashion with the anamorphic lens fixed devoted to. hey bro, your at Fort Hood? I'm succeeding to be stationed there after I'm done with a nosegay of training, I'm about to graduate OCS. Now to the video matter, I did video calling for my religious with my XL1, and the whole...
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