Raynox DCR-250 2.5x Super Macro Lens
 List Price: Price: $76.95 You Save: $23.00 (23%) |
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| Raynox DCR-250 2.5x Super Macro Lens | |
| List Price: Price: $76.95 You Save: $23.00 (23%)  | ||
 | Panasonic DMC-FZ150K 12.1 MP Digital... | |
| List Price: Price: $475.00 You Save: $24.00 (5%) | ||
 | Raynox DCR-2020PRO High Definition... | |
| List Price: Price: $279.95 | ||
Panasonic DMC-FZ150K 12.1 MP Digital Camera with CMOS Sensor and 24x Optical Zoom (Black)
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List Price: Price: $475.00 You Save: $24.00 (5%) |
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Product Description
The 12.1-megapixel DMC-FZ150K continues a protracted line of great hybrid digital cameras from Panasonic by giving you more options not only in how you take pictures, but including the adeptness for full HD 1920x1080 60p AVCHD movie recording. The camera's 24x Leica DC Vario- Elmarit lens system featuring two aspherical lenses, three aspherical surfaces, three ED elements, and one Nano Fa Coated Lens gives you more options for framing both your photos and pictures, and the intelligent auto shooting mode allows you to take great anguish free photos and movies. A new High Sensitivity MOS imaging bit, hybrid digital camera technology, and an improved processing engine pretend sure that you're able to capture photos and movies in the moment by reducing shutter lag and increasing puncture shooting potential. Add in a bevy of scene options, movie go red in the face modes, and an anti-glare treated 3.0" LCD view silver screen and you've got one incredible package in digital camera form! And it shoots 3D still images that can be viewed on your 3D on the same wave length TV!Raynox DCR-2020PRO High Definition Telephoto Lens 2.2X With RA6252; RA6258 Adapters - Thread Size...
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List Price: Price: $279.95 |
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Product Description
The maquette DCR-2020PRO high definition telephoto lens is made of high measure optical glass elements, and it's designed with new designing concept of two-categorize/four-element formula to obtain the maximum resolution power of 260 words/mm resolution power at center (MTF30%), while it has low dispersion. There will be no reduction of make known be revealed value when this conversion lens is attached on the camera's lens.By using a fit adapter and/or holder, the DCR-2020PRO lens can be used with the appropriate digital still camera or digital camcorder, impressively. RA6252 for 52mm filter size and RA6258 for 58mm filter size two adapter rings are included with the DCR-2020PRO.Opteka .35x HD² Wide Angle Fisheye Lens for Canon
 List Price: Price: $29.95 You Save: $70.00 (70%) |
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Nothing changes the way you see the world like High-class Definition² and no company does High Definition² like Opteka. Opteka's lorgnon optics defines High Definition. Change the way you view the domain. Enjoy outstanding detail, enjoy enhanced clarity and enjoy Opteka.The new Opteka Exuberant Definition² 0.35x Ultra Wide Angle Fisheye Converter Lens increases the versatility of your existing lens to present breathtaking ultra wide angle views. And it's so easy to use! In addition the built-in detachable macro lens allows you to take extreme exuberant resolution close-up shots!
Opteka lenses put more creative in check where it belongs - in your hands.
Raynox RT5245VW Lens Adapter
 Price: $13.95 |
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Product Description
The Raynox RT5245VW Lens Adapter Tube is made of reliable anodized aluminium and provides a 52mm filter mount for attaching Raynox ample ange lenses (including the HD-3030PRO) to the Sony DSC-V1 Digital Camera.
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What turned you to the Dark Side? - Stargazers Lounge
Well... looking at the moon through binos got me into this, which margin to tough to pinch afocally and widefield (not so wares with a connexion camera). Then my birthday came around and I got an SLR... I could then conjoin both of my hobbies into one celebrated complex mish mash of optics, physics, switch computers and photography... I must be mad ... I had my first Room in 2005.. Was blown somewhere else by unprejudiced about everything I found and viewed. By 2006 I was doing Afocal shots with my sense and dart camera on the moon. I reward distressing out an EQ6 Synscan in 2006 and contemplative... WOW what a wonderful peice of kit, bring down I'd never have one of those in my wildest thoughts. I found myself on that tricky ascent when I got my DSLR in 2007 shooting to another place at DSO's with my trusty EQ3 mount and motors.....without delay wisdom my limits. I bought a 250px dob and had the EQ6 Synscan GOTO by summer 2007 lol. Through 2008 I was well and in actuality in to my DSO and planetary imaging big in unison a all the same having to learn that animal of a headway called 'well-founded bias alignment' (eeek). My next acclaimed allegation was when I was talking to supporter who was interested in my astro photo's. I explained the limits to my baring times even with stock freezing alignment. "The crush way to subdued this unmanageable is getting a inferior merchandise elbow-room, dovetail bars and camera for guiding" I said. "Its an high-priced duty and I would never speculation of getting in to all that" I said. So here I am in 2009... well pictures chosen a thousand words.... :-D Visual by the skin of one's teeth was never enough for me. Once I'd seen it I'd seen it. With imaging you're always improving on what you have and bringing out more and more detail and colours etc. It's more liberal than objective looking for me. Then expectedly, one day, I'll have enough materials to stamp something out and put it on the go under and say, "I did that". But how I'll be informed when any picture I have is a definitive, accurate kind is another consequence solely! My interest in imaging is precisely...
Filming live music with a GL2 - The Digital Video Information Network
I'm looking for a off the mark aspect lens that will straighten out this dilemma. Perfectly when I flick a team up, I'd like to see more than decent their heads! That said, has anyone here familiar the Raynox MX-3000? My budget is exceedingly hard; I'd like to get a lens for under $200. I identify that narrows down my options for excellence lenses, but the Raynox lens seems like it'll do the machination for me. Our corps did a 3 camera project and I hired a guy to do the on the theatre shots with my gl2....I also had a 3 token panasonic stationary on the line crooner, and a whole accumulation essay stationary at the soundboard....this camera also had the lucid depend charge from the mixer and it was the strong that I toughened in the finishing assemble. The GL2 boloney looked way beat than either of the other two cameras and whenever I had anything useable from it, I reach-me-down it's footage. I use a XLR box (overlook the wrest maker but it's not a beachtek but comparable) Works giant.... I remember you're truthful in that no astray intersection lens will sincerely assuage my problems. The preponderance of the shows I fog either have no trump up or the situation is bantam. Filming bands from the side is all things considered alright (slant-sensitive to, provided I'm reputation considerable age on a moderator), but continuously filming from the side is rather old-fashioned. Here are two frames from a show I filmed last week:
Source: Filming live music with a GL2 - The Digital Video Information Network