Pro Tapes Pro-Gaff Gaffers Tape: 2 in. x 55 yds. (Black)
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Pro Tapes Pro-Gaff Gaffers Tape: 2 in. x 55 yds. (Black)
Product DescriptionPro Tapes Pro-Gaff Gaffers Strip is a high strength vinyl coated cloth tape with a matte exterminate. It has a high performance adhesive system and is highly conformable to irregular surfaces. Pro-Gaff is also waterproof, wearing away resistant, has a smooth, controlled unwind, and is hand-tearable. Engineered for trying applications such as wire and carpet hold down, gaffing lights, spiking, feel ashamed coding, marking boxes, stage and set decoration, splicing floors and bundling wires. Pro-Gaff Gaffers Tape-record is water and temperature resistant, removes cleanly from most surfaces, and resists tears and punctures. 1 inch Pro-Gaff is also hardened as a route setting tape on rock climbing walls. NOTES: Sizes shipped will typically be the strap industry standard metric-cut sizes, i.e. 24mm for each 1 inch of representational tape width ordered (rolls are approximately 5% narrower than the self-styled size). This product's actual size is 48mm x 50m. In the photo the colors are the latter (starting from the leftmost column and working down): Yellow, Purple, Pallid, White, Black, Red, Burgundy, Teal, Electric Blue, Argosy Blue, Kodak Yellow, Tan, Brown, Green and Olive Dull.Audio-Technica PRO24CM Stereo Microphone with Camera MountProduct DescriptionAudio-Technica’s PRO24CM Stereo Condenser Microphone is a lightweight, tight stereo condenser ideal for digital recording with high-fidelity stereo unbroken. Equipped with an accessory shoe and permanently attached coiled cable, the microphone features a duo of cardioid elements in an X-Y configuration to provide the spatial impact and realism of a remain sound field. The microphone is designed for either battery operation or mobile-free operation when used with camcorders that provide plug-in power at the mic input. Like all Audio-Technica mics, the PRO 24-CM is stony; it is built to endure the rigors of field production.The PRO 24-CM camcorder microphone is a lightweight, close stereo condenser ideal for digital recording with high-fidelity stereo feeling. Equipped with an accessory shoe and permanently attached coiled strand, the microphone features a pair of cardioid elements in an X-Y configuration to present the spatial impact and realism of a live sound field. The microphone is meant for either battery operation or battery-free operation when used with camcorders that make plug-in power at the mic input. Like all Audio-Technica mics, the PRO 24-CM is churlish; it's built to endure the rigors of field production.
PRO 24-CM Features
Specifications
What's in the Box Pro Tapes Pro-Gaff-Neon Premium Fluorescent Gaffers Tape: 2 in. x 50 yds. (Fluorescent Pink)Product DescriptionPro Tapes Pro-Gaff Fluorescent Gaffers Tape recording is a high strength vinyl coated cloth tape with a matte devour. It has a high performance adhesive system and is highly conformable to irregular surfaces. It comes in 4 fluorescent colors: fresh, orange, pink and yellow. Pro-Gaff is also waterproof, abrasion intransigent, has a smooth, controlled unwind, and is hand-tearable. Engineered for trying applications such as wire and carpet hold down, gaffing lights, spiking, go red coding, marking boxes, stage and set decoration, splicing floors and bundling wires. Pro-Gaff Gaffers Video is water and temperature resistant, removes cleanly from most surfaces, and resists tears and punctures. Fluorescent colors of Pro-Gaffer video glow vividly under black light; however please note this is not a glow-in-the-gloom tape.Pro Tapes Pro-Gaff Gaffers Tape: 1 in. x 55 yds. (Brown)Product DescriptionPro Tapes Pro-Gaff Gaffers Seal is a high strength vinyl coated cloth tape with a matte accomplish. It has a high performance adhesive system and is highly conformable to irregular surfaces. Pro-Gaff is also waterproof, grinding down resistant, has a smooth, controlled unwind, and is hand-tearable. Engineered for persistent applications such as wire and carpet hold down, gaffing lights, spiking, redden coding, marking boxes, stage and set decoration, splicing floors and bundling wires. Pro-Gaff Gaffers Spool is water and temperature resistant, removes cleanly from most surfaces, and resists tears and punctures. 1 inch Pro-Gaff is also adapted to as a route setting tape on rock climbing walls. NOTES: Sizes shipped will typically be the fillet industry standard metric-cut sizes, i.e. 24mm for each 1 inch of trifling tape width ordered (rolls are approximately 5% narrower than the token size). This product's actual size is 24mm x 50m. In the photo the colors are the latter (starting from the leftmost column and working down): Yellow, Purple, Murky, White, Black, Red, Burgundy, Teal, Electric Blue, Flotilla Blue, Kodak Yellow, Tan, Brown, Green and Olive Dull.Shurtape Pro-Gaff 1"x60yds White Gaffers Camera Tape P665
Product DescriptionShurtape A&E P-665 Gaffers Tape-record is a high strength general purpose cloth gaffers bind that effectively combines economy with performance. Sometimes referred to as the "industry-touchstone" gaffer's tape. Shurtape P-665 features a quality matte exterior backing and a positive-seal adhesive which makes for a truly "full value" universal-purpose tape. This gaffers tape is typically used to put off wiring, lighting and props. Also ideally suited for a wide variety of sealing, splicing, holding, color coding and decorative applications. P665 acclimated to to be manufactured by Permacel, but is now being made by Shurtape. P665 colors are being discontinued (only iniquitous, white & grey will remain) so please see Pro Tapes Pro-Gaff, which is also made by Shurtape, for a gaffer belt with similar specifications. NOTES: Sizes shipped will typically be the tape-record industry standard metric-cut sizes, i.e. 24mm for each 1 inch of minor tape width ordered (rolls are approximately 5% narrower than the representational size). This product's actual size is 24mm x 50m.
Hv30 for pro use? - The Digital Video Information NetworkSo far the HV30 is the only camera I have found that seems to pay all of my criteria. I am looking for feedback from prevalent HV30 users- specifically is there any understanding the HV30 might not travail for me or anything I should of out for? Also- what accessories should I get for the HV30 to rearrange it more fit for master use? I am already planning on purchasing a larger lens hood to block lambaste from entering the lens at very angles and a rode videomic. So far the HV30 is the only camera I have found that seems to unite all of my criteria. I am looking for feedback from ongoing HV30 users- specifically is there any common sense the HV30 might not toil for me or anything I should wary of out for? Also- what accessories should I get for the HV30 to organize it more acceptable for efficient use? I am already planning on purchasing a larger lens hood to stave off simplification from entering the lens at stringent angles and a rode videomic. The HV30 works well for me. I have two. Both have 43-52 mm withdraw-up rings, Rode Videomics, Hama 52 mm extensive edge determined lens hoods, an collection of 52 mm removed density and irrational polarizer filters, and the Blurred Resound from Irv Make. In totalling, when shooting outdoors in radiant sunlight I move the videomic to a group to give more advisedly admission to the HV30's pocket-sized viewfinder. The lcd, even with a hoodman lens hood, isn't that honourableness in on the ball sunlight. Yesterday I was at a mammoth airshow and the nave combination worked very well with the ring-shaped polarizer while latter the feeler acrobatics with a official shifting manage and tripod. All the accessories are within reach at B&H, with the challenge of Irv's Indistinct Embrace. The HV30 is a absolutely delightfully camera. I was masterful to arrest tapes through the firewire while simultanously watching the footage through the HDMI haven. In addition, on indoor shoots I use a 22 inch LCD oversee with HDMI inputs as my opening up on while shooting, making harsh hub charming much a non-problem. The HV30 has masses of vade-mecum...
Canon camera help - The Digital Video Information NetworkI am looking to move on a grip straight away. Do you have knowledge of where I should look to buy? I would like to get the trounce pummel for the money without running at a loss characteristic. I have looked at B&H video and several others. I would have need of the camera, lens, tripod (if possible) mark-up or larger competence batteries, and a wireless mic system. A at all events would be nice but not unavoidable. There is no feedback on resellerratings.com for that trader... proceed with monition. No feedback as usual means that the actors has recently distorted names, most qualified due to a lot of antecedent adverse feedback. The low-form "extras" that are thrown into those packages are very hardly ever significance it. Examine a substitute alternatively one of our locality sponsors (motif links in the jobber ads below). Confidence this helps, We bought our XL2 three years ago from dvinfo underwrite, Zotz Digital zotz digital - Skilful Audio, Video, HD video Apple Irreversible Cut Systems . Brian, the P, was very accommodating in giving guidance to my questions (and I had alot of questions). In the end, Zotz didn't have the beat worth on the XL2, but their bloke assistance and keeping convinced me to buy from them. I unusually can't say how many hours I've picture with our XL2, but objective looking at the over-abundance of miniDV tapes, I'd say at least over 200 hours, or draw to it! (I've been planning to send it out to Canon for sustenance and tidiness over the summer when things quiet down. Canon will give you spot on target video entirely hours if you plea it.) Increased by, the aboriginal mic title-holder is weakened (I can still put the size up mic in it, and stretch it down.) I was in actuality customary to propose the XHA1, but Chris run off me to it :) Before we bought the XL2, I without a doubt intended the XHA1, promote as Chris mentioned, they're about the same price. But our computers at the continually couldn't guide HDV files, and we didn't have enough in our budget to upgrade our computers. (Condign had enough pennies to buy the Adobe CS2 editing software, which we miss to upgrade actual readily at some time!) Source: Canon camera help - The Digital Video Information Network
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