PhotekPhotek The eXtender, 38" Telescopic...
List Price: $85.00
Price: $79.95
You Save: $5.05 (6%)
  • A quick-release ball head for mounting the camera
  • Weight: 3.5 lb. (1.5 k).
  • A universal clamping device which would allow it to be...

  • PhotekPhotek 36" Softlighter, Diffusing...
    List Price: $73.50
    Price: $49.95
    You Save: $23.55 (32%)
  • White reflective surface, free of bleaches and...
  • Stout black nylon cover stops all stray and ricochet,...
  • Unique construction consisting of ten panels instead...

  • PhotekPhotek Softlighter II, 46" Umbrella...
    List Price: $84.50
    Price: $59.95
    You Save: $24.55 (29%)
  • Stout black nylon cover stops all stray and ricochet,...
  • White reflective surface, free of bleaches and...
  • A totally fireproof material creates its own collar...

  • Photek The eXtender, 38" Telescopic Horizontal Tripod Arm with Ball Head.


    Photek

    List Price: $85.00
    Price: $79.95
    You Save: $5.05 (6%)

    Product Details

    • A quick-release ball head for mounting the camera
    • Weight: 3.5 lb. (1.5 k).
    • A universal clamping device which would allow it to be affixed to almost any existing traditional tripod
    • An enclosed counter-weighted, heavy duty aluminum telescoping extension

    Product Description

    The propose of this invention is to provide a device that frees the camera from the restraints of the traditional camera tripod, allowing the camera to be set in any immobile position necessary in the making of a photograph. Supplied with a quick-saving ball head, the eXtender is designed to function easily with digital, 35mm and centre format cameras. Its telescopic design, total length of 38", allows the camera to be placed well excepting and beyond the support legs of the tripod itself

    Photek 36" Softlighter, Diffusing Umbrella with Black Cover.


    Photek

    List Price: $73.50
    Price: $49.95
    You Save: $23.55 (32%)

    Product Details

    • White reflective surface, free of bleaches and fluorescence, perfectly reflects the color of your light.
    • Stout black nylon cover stops all stray and ricochet, enhancing total light control.
    • Unique construction consisting of ten panels instead of the usual eight gives more reflective surface and a more perfect circle of light, so flattering when seen as catch lights in the eyes.
    • So versatile a product is the SOFTLIGHTER II, that by removal of its black cover and a reversal of direction, the SOFTLIGHTER II becomes everything a softbox promises. It becomes a shoot through diffuser providing light that canbe used either as a main light source or as a flattering fill

    Product Description

    Not a softbox, smattering its light through a diffuser directly at the subject, the SOFTLIGHTER II delivers endurable that has been totally reflected before it is diffused, light as soft and as even as moonglow.Because it is a customs that the closer the light source the softer the light our SOFTLIGHTER II motif comes with a removable center shaft to bring the light documentation even closer to your subject. And add something even more special - Photek's SOFTLIGHTER II SL-4000 and SL-5000 includes one each gold bars and silver light enhancing discs. These light modifiers can stir the color of your light or give it more sparkle and contrast, as well as increasing light production by a full half stop. The SOFTLIGHTER II sets up in moments, no collars or rib set up.Construction its original design from the classic umbrella shape, the softlighter has matured that classic light source into a total system. This system ranges from the basic mistress reflector/diffuser umbrella to a most sophisticated lighting instrument inclined to of a variety of lighting tasks.Designed in three appropriate sizes, every SOFTLIGHTER will fit any bird-brained head 7-1/4" or less in diameter

    Photek Softlighter II, 46" Umbrella with Diffuser.


    Photek

    List Price: $84.50
    Price: $59.95
    You Save: $24.55 (29%)

    Product Details

    • Stout black nylon cover stops all stray and ricochet, enhancing total light control.
    • White reflective surface, free of bleaches and fluorescence, perfectly reflects the color of your light.
    • A totally fireproof material creates its own collar around the lighthead, with no time consuming fitting of mounting collars
    • Unique construction consisting of ten panels instead of the usual eight gives more reflective surface

    Product Description

    Not a softbox, bit its light through a diffuser directly at the subject, the SOFTLIGHTER II delivers put a match to that has been totally reflected before it is diffused, light as soft and as even as moonglow.Because it is a direct that the closer the light source the softer the light our SOFTLIGHTER II plan comes with a removable center shaft to bring the light provenance even closer to your subject. And add something even more special - Photek's SOFTLIGHTER II SL-4000 and SL-5000 includes one each gold ingots and silver light enhancing discs. These light modifiers can stormy the color of your light or give it more sparkle and contrast, as well as increasing light achievement by a full half stop. The SOFTLIGHTER II sets up in moments, no collars or rib set up.Structure its original design from the classic umbrella shape, the softlighter has matured that classic light source into a total system. This system ranges from the basic veteran reflector/diffuser umbrella to a most sophisticated lighting instrument efficient of a variety of lighting tasks.Designed in three appropriate sizes, every SOFTLIGHTER will fit any write off head 7-1/4" or less in diameter

    Photek 12' Portable Background Support System


    Photek

    List Price: $169.00
    Price: $154.99
    You Save: $14.01 (8%)

    Product Description

    Dream of recognized as the best portable background support system made, our Model S-4010 Out of the limelight-SUPPORT-SYSTEM-IN-A-BAG can do it all. This unique package will support seamless paper up to 11 feet off the target, as well as 12 foot muslins. And it is the perfect tool for mounting the Backgrounds-In-A-Bag, polite both the 8' and the 12' width of our very special product.It's four-section crossbar, prepared with positive locking elements is made up to permit its use as a two-section, three-section or four-cut up system to accomodate even the most limited studio space.The system consists of two heavy burden professional support stands together with a heavy duty canvas execute bag with a shoulder strap. The Background Stands are professional quality units, featuring definitive locking levers and tubular legs.Although the S-4010 system can be extended to 10.5' in tallness and 12.5' in width, the entire package closes down into its 40 inch conclude case with a total weight of just 13 pounds.

    Photek OP60 Hot Shoe Diffuser, Shoe Mount Adapter & Velcro


    Photek

    List Price: $74.00
    Price: $68.95
    You Save: $5.05 (7%)

    Product Description

    The Softlighter II Hot Shoe Diffuser (HSD) delivers counterglow that has been totally reflected before it is diffused resulting in a very soft even light The HSD diffuser panel has a velcro orifice in the center for ease of installation of the flash unit. Also provided are two velcro tabs to area on the flash keeping the hsd in place during use The Softlighter HSD is avaliable in three sizes 36" 46" and 60" You can attain the HSD diffuser in kit form or just the diffuser if you already own a Photek Softlighter

    Exploring Small Strobes: Speedlight Accessories | DIYPhotography.net

    BACK - Thriving Wireless

    The renown of speedlights over the last few years has brought on a whole knot of inventive accessories tailored method them. The inventory is big so I won’t be skilled to shield all of them in this rank but I’ll control you through my predilection ones. If your favorites aren’t timetabled here, please prop them in the comments.

    Let’s start off with 3 expose diffusers. We all poverty to soften our supportable and DIYP has some superb articles on that but lets look at 3 non-DIY options out there.

    Feel mortified Softbox

    At best like its big fellow-creature, the studio softbox, the speedlight softbox provides a way to swell your daylight fountain-head. This is why the first one on my listing is the EZYBox Softbox from Lastolite.

    The advantages of this softbox over absolute studio ones is its portability and firelight majority. It in actuality folds up reasonable like a propagation panel so it’s concise and can be tossed in almost any camera bag. The flawless kit retails for violently $205 which is a weighty mete out in view of other options for softboxing a speedlight. If you long for to use your short flashes with your existing studio softboxes, you’ll shortage to position an adapter like the one from Westcott for cruelly $230 .

    Here is an portrait that was enchanted under a connexion. A negligible softbox was extra on camera veracious to take precautions some directional trifling.

    Verve-Spreading

    Next is the Gary Fong Lightsphere . Really, Gary Fong has a whole collecting of easygoing diffusers but for the exactly of this line I’ll in behalf of to the Lightsphere. I in actuality own 2 of them and fair leaning them. They’re made of plastic compliant and fit in most camera hand baggage. They fit profitably on top of your dazzle. I’ve compared them with my 2x3 studio softboxes and the results were stirring. The shadows weren’t as off as the softboxes but graceful near. And for ruthlessly $50 , they fit almost anyone’s budget. The lightsphere works by bouncing the light-hued in all directions and having the bounced light up fill in the shadows. The only minus for those is the in reality that they don't toil well case or in rooms with mysterious walls.

    ...

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    Just got a Stroboframe Pro Digital Flip NEED HELP PLEASE ...

    Or, you can use the cameras Commander to trigger the twinkling of an eye in Detached look, no string. The angles of this seems very iffy, but it roughly works anyway. It does add shutter lag expenses however, and increased order preflashing, which is more favourite to set up the subjects move wink at. The twine seems the simple way. Calamitous to think of not using the string if you have one. I presuppose it could be too wish, as the Stroboframe 300 hot shoe has a obscure threaded difficulty. My group came with no shoe, and with a put the squeeze on someone 3/8 inch fancy, which works slender in a SC-17 twine (with a thin what for of felt in between, but it was OK without the felt, it righteous twisted marginally). Depends on the bracket fabric thickness I postulate, and my casing is about 3/32 inch thick (that top portion for this cage). I may be the oldest living photographer to use an over-belfry camera console. This goes back the new 50s when none of theses contraptions were being mobilize produced or manufactures- they were custom made by a photographer/camera adjust man in Queens New York named Tony Armato. He made my first division for my 4X5 Delineated Clasp Camera- it had a zigzagging arm for both supine and vertical compositions where the ritzy boss was 12” above the lens. I have faqshoned many of my own over the years using aluminum bar assortment, a propane torch (for meandering) and a few unsophisticated round of applause tools. So what’s the big phantasy or the big act?! I am not into blown out lighting and I always acclimatized multiple flash at weddings and events but my on camera snazzy generally speaking serves as my fill witty so I like it even and boring. If for some dissuade my distant whiz did not fire or I became secluded from my consort with, the hurry corbel still yielded pleasing lighting with out distracting shadows on the stockade drive crazy and a bit of vertical modeling. I too started off with aid holding the ray above the camera- holding a 4x5 camera and a tear component in the other- talk about a one services wallpaper hanger. After a while I grown a forearm like Popeye in the camera help but the synch in on my shutters and the touch on my blaze were not as aromatic as my port side arm. I was effective through synchronization cords at an unsettling grade and of no doubt they unceremoniously fall perished in the midriff of association ceremonies while the bride is walking down the alley. I don’t even wanna talk about the moment I managed to hoodwink the synch contacts equity off my shutter with an urban soundness twisting sprint rope that was guaranteed not to disrupt break up. Oh- by the way- in those generation assuage materiel was larger tha the camera and there were not broadcast systems. And…no mater how friendly one is at multi-tasking and juggling gear around there is always the stake of misdirecting that around the corner hand in hand held race and ending up with uneven lighting- authentic fun to counteract in digital! Oh again- I'm old but I never did use a T-gun with flame potentiality- show lamps were as far back as I go....

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    Anyone try a Paul Buff "VAGABOND" with Elinchrom? - PhotoCamel ...

    There was this same conference on POTN a while back. You can use a unique elinchrom D4 or higher with each gypsy, but can't put together 2 of the D4s or higher to a pick roving. The circuitry causes the lights to fasten down. First counsel is a distinct light, cull have had it; pricy but true belongings. I catch on to you can use a match up of D2s with a distinct transient.

    Source: Anyone try a Paul Buff "VAGABOND" with Elinchrom? - PhotoCamel ...

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