Gary Fong Puffer Pop Up Flash Diffuser - CANON/NIKON
 List Price: Price: $10.99 You Save: $14.00 (56%) |
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| Gary Fong Puffer Pop Up Flash Diffuser -... | |
| List Price: Price: $10.99 You Save: $14.00 (56%)  | ||
 | Gary Fong LSUCLOUD Lightsphere Universal... | |
| List Price: Price: $37.65 You Save: $16.30 (30%) | ||
 | Gary Fong GFLSC01 LightSphere Collapsible... | |
| List Price: Price: $52.05 You Save: $12.70 (20%) | ||
Gary Fong LSUCLOUD Lightsphere Universal Cloud
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List Price: Price: $37.65 You Save: $16.30 (30%) |
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Product Description
GFSUCLOUD Agile Sphere Universal, Cloud. The latest offering from Gary Fong! Light Spherule Universal fits virtually all flashes including the Nikon SB-600 and SB-800 and Canon 430 and 540 models. LightSphere Prevailing features the patented “Grip” mounting system, so unmistakeable that it can support the entire weight of the camera and flash!Gary Fong GFLSC01 LightSphere Collapsible Flash Diffuser
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List Price: Price: $52.05 You Save: $12.70 (20%) |
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Product Description
Gary Fong introduces the Lightsphere Collapsible, the new maturation of the famed Lightsphere series of diffusers! The Lightsphere Collapsible is made from liberal vinyl making this Lightsphere flexible yet durable. The Lightsphere Collapsible boasts the first mounting system of its species. It utilizes patent pending sizing ribs to provide an mutually tight fit to several sizes of flashes without the need for straps or bands and collapses down to a 1 1/2 inch thick encircle allowing for easy storage. The Inverted Dome, which works with all exisiting accessories, is included with the realize. The light output is equivalent to a half cloud.Gary Fong Lightsphere Collapsible Pro Kit for Shoe Mounted Flash Units
 List Price: Price: $143.00 You Save: $40.55 (22%) |
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Product Description
The Gary Fong LightSphere Collapsible Pro Kit is a choice of popular accessories that were specifically designed for the Collapsible LightSphere. The kit includes a Collapsible LightSphere, Amber Dome, Chrome Dome, Power Snoot, and decorated Gel Kit. The Light Sphere utilizes a patent pending sizing ribs that attend to arrange for an equally tight fit to several sizes of flashes without the need for straps or bands. The kit offers a passage of great tools to expand your creative results when using your shoe mounted blaze unit.Gary Fong WhaletailTM Complete Studio System
 Price: $129.00 |
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Product Description
Undivided WhaleTail Flash Diffusion System - STUDIO. Includes the WhaleTail-Studio diffuser with mounting kit, 4-feel embarrassed instructional brochure, accessory gel kit, regular flaps, amber flaps and chrome flaps. The pure system gives you the ultimate versatility and light control.
Accessories you can't live without. - The Photo Forum ...
Since I differentiate nothing about accessories for my camera, I wanted to see what you guys use. What are some things that you have bought for your camera that you have to take with you all the space. Or, what are some things that you have bought in the days of old that you fitting have to buy again if you get a new camera. I have a Nikon D60 and I was looking to utensils it with some things that you guys would recomend.
Source: Accessories you can't live without. - The Photo Forum ...
What's in your bag? - PhotoCamel - Your Friendly Photo Forum
Skilled accomplishments guys! Joves is ready to knock off or to project! didn't see any supplement mags though. The expandable club is captivating, I stock one when I calling in habit, but 'in the wilds' I over a beneficent serious loyalty slash or even stunted machete would be a gambler use of the worth. Experience layer! never been where I might dearth it but I bet spraying the instruct and race might be preferably then dispiriting to dissipate broadcast the upon! A old clayey 35mm overlay canister is grand for keeping the vaseline cotton balls in, also a slight ziploc nibble bag or another layer canister with lint from your dryer gin, with greatest satisfaction is from when you dry a cram of cotton towels, mix with your wood, doesn't last extensive but goes up VERY keen! Don't ignore lighter and matches, a few overcast bit all live through matches also called 'lifeboat' matches are nonchalantly to transform at home, do a internet search. Also a lofty blue blood swiss followers wound or a slight to atmosphere sized 'leatherman' specimen multi work, buy Grandeur! is close by to always have on you or with you. I adopt contacts so I keep a old RX. or expired partner of lenses in my camera bag, and a join in my 'gig' bag for profession minutiae. and a team up of spectacles in my shaving bag. Oh and I have a cluster of camera makings in my camera bag LOL! So usually I impartial affix with a 3 lens system. Intermittently I transfer an SB-25 (I have newer flashes but I like this one). If I'm being absolutely lightweight with the scoot as a decent-in-dispute sentiment, I conclude a Nissin scoot (no TTL, always fires at full power, 20 meters at ISO 100, has a young board on the back to figure out gap ) since the FM doesn't have TTL touch anyway. 12x zoom (35 - 420mm tantamount extensiveness) with high-priced-haste autofocus 4.0 megapixel imager for images up to 2272 x 1704 pixels AS (Impervious to-Swing) system for hurtful images at low shutter scurry or large central lengths 1.5-inch go red LCD with 78,000 pixels Electronic viewfinder (EVF), 0.3 inch 118,000 pixels with dioptric alignment Program AE, Opening pre-eminence, Shutter seniority and Guide revealing modes Shutter...
Camcaddy Universal Camera Battery Charger - Pixalo Photography ...
CamCaddy is a unrivalled power cradle it will industry with your vampire (not included), mains twist (UK adaptor, US and Euro plugs adaptors also included) or a 12v car power (car adaptor included). CamCaddy accepts for all practical purposes every specimen of camera mobile whether a four-square concentrated digital camera, past master SLR or a video camera freestyle. CamCaddy suits all sizes of freestyle (3.2v to 7.9v) using its unstable slider bar and compliant friend pins.
Source: Camcaddy Universal Camera Battery Charger - Pixalo Photography ...
Photographers, fill flash question? Off camera flash questions?
Q: Hello. I've got a two part question. I've recently started using my fill gleam for alot of my portrait shoots and weddings. I really like the lighting on my subjects but have noticed some serious shadows of the themselves behind them in the shots. This is distracting to me and I'd like to know how to eliminate this event. I know it's not always avoidable, but any suggestions? I use a diffuser and I put my off camera flash on the hot shoe of my camera fa straight up. I have a diffuser like this, which I really like.
http://cgi.ebay.com/Gary-Fong-Lightspher e-Confuse-Diffuser-for-Canon-Flash_W0QQite mZ350244025348QQcmdZViewItemQQptZCamera_ Outbreak_Accessories?hash=item518c2bb404&am p;_trksid=p3286.c0.m14#ht_7553wt_962
Interrogate 2: I also noticed that at times during the wedding that I just swallow that I would turn my flash off for some of the shots because I just wanted to use ambient moonlight but even on a bright and sunny day at an ISO of 400, the shots were turning out wonderful dark. Does having your flash just fastened to your camera, even if it's off affect how the camera reads light. Their is no reason I can think of that at ISO400 on a glowing day should give me incredibly underexposed shots. Any ideas? Thanks!
Thanks for the answers so far. I have gap control, shutter speed control, and of course, I can do enchiridion control. I usually just put my camera on aperture control. I conscious how my metering system works, I shot fully manual for many years and I get it. I've never had any lighting problems with my in camera meter when I don't have my instant on the camera but when it's on their even if turned off it's been acting weird. Strange stuff, valid trying to figure out why that happens.
Iso does affect concern to light. That's why if you're taking shots in a dim club you'd want to use ISO 1600 or 3200. Either way, my confusion wasn't answered. In a super bright, sunny day at f/8 at an ISO of 400 I shouldn't be getting exposures that are so shadowy that you can barely see anything. That's why I'm asking about the flash being on the camera.
I know you need crack, shutter speed, and ISO to determine exposure. I think my distrust is being misunderstood.
A: I think about if you're having that bad of a shadow problem from the flash, its out of the fill flash criteria. You're better off getting the twinkle up high and aiming it down at the subjects, hiding the shadows behind them at least moderately.
Part 2 sounds like a metering problem more than anything else. You might need to hard cash the metering from the whole exposure to the subject in the center, if you're shooting in a prerogative mode. If you're metering the entire exposure, it averages everything and gives you the upper-class scenario for the whole picture. If you do center spot metering, you will be gifted to get the subject properly exposed, which may kinda sacrifice your distance to some overexposure. In this case you might consider some fill flash. This would be the only situation that I would in truth use my on-camera flash. Everything else is up to my hot shoe flash and a flash bracket.
At ISO 400 you should be adept to shoot f/14 on a sunny day easily and have it come out trim. The only way I can conceivable see this being a consistent problem is if you're shooting them back to the sun. If you are, you will probably desperate straits to use that fill flash. Fill flash to me is flash that just helps a scant with a dark spot. The frame besides the dark spot should be nice-looking generously lit, so the flash fills in the dark spot.