Arri 3" Half Double Lighting Scrim for the Junior 150 Watt Fresnel Light Unit.
 List Price: Price: $11.49 You Save: $6.51 (36%) |
Product Details
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| Arri 3" Half Double Lighting Scrim... | |
| List Price: Price: $11.49 You Save: $6.51 (36%)  | ||
| Arri 6-5/8" Half Double Lighting... | |
| List Price: Price: $14.99 You Save: $4.01 (21%) | ||
 | Arri Medium Production Unit Bag for Sony... | |
| Price: $279.00 | ||
Arri 6-5/8" Half Double Lighting Scrim for the Junior 650 Watt Fresnel Light Unit.
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List Price: Price: $14.99 You Save: $4.01 (21%) |
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Product Description
Scrims are metal screens mounted in a metal compose. They are placed in front o f a light to reduce light intensity. Arri makes four many types of scrims. Full single- this scrim covers the entire lightface and reduces the inten sity of the whole light beam. Full double- again this scrim covers the w hole visage of the light. It has two metal screens in it, reducing light intensity by two times the amount of the full distinct. Half single- this scrim only covers half of the lightface reducing partially of the light beams intensity. Half double- same as the half isolated but reduces light intensity twice as much as the half singleArri Medium Production Unit Bag for Sony EX3 or Red One and Accessories, PVC Coated Tarpaulin
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Price: $279.00 |
Product Details
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Product Description
The Arri Shaping Equipment Bag, Medium is designed to carry and protect a camcorder kits such as, Sony PMW-EX3 or Red One camera kit. It is constructed from cut-resistant PVC coated Tarpaulin with a heavy-duty inner projectile, an inner cloth lining is treated with a wear-resistant tricot coating and domestic padding. The interior base of the bag is made double lightweight corrugated flexible with foam core padding for additional ground protection. There are removable internal dividers that can be configured to customize the core of the bag. Elasticized straps on top for changing tent or other flat accessories. The bag has 1 zippered front snitch, 2 zippered exterior side pockets, 2 clear storage pockets on the up-country lid, 1 drawstring pouch and 1 can holder. It has a usable temperature extend of -4.0 to +104°F (-20- to +40°C). It is carried by dual straps with overlapping cope or a removable, adjustable shoulder strap with pad.Arri 6-5/8" Half Single Lighting Scrim for the Junior 650 Watt Fresnel Light Unit.
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List Price: Price: $10.99 You Save: $5.01 (31%) |
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Product Description
Scrims are metal screens mounted in a metal box in. They are placed in front o f a light to reduce light intensity. Arri makes four unheard-of types of scrims. Full single- this scrim covers the entire lightface and reduces the inten sity of the unconditional light beam. Full double- again this scrim covers the w hole phizog of the light. It has two metal screens in it, reducing light intensity by two times the amount of the full choose. Half single- this scrim only covers half of the lightface reducing partly of the light beams intensity. Half double- same as the half unattached but reduces light intensity twice as much as the half singleArri Four Leaf Barndoor for the Junior 300 Watt Fresnel Light Unit.
 List Price: Price: $54.95 You Save: $15.05 (22%) |
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Product Description
Barndoors stick on to the front of a light and are used to restrict light from areas of a set. Arri barndoors are torridness resistant and rotatable. Barndoors narrow the beam spread of a bearing in mind explain fixture. They help create a 3-dimensional look to a lighting stratagem by placing light in a specific area, or by keeping it away. The more leaves a barndoor set has, or the longer the leaves, the more rigorously the beam of light can be controlled.
P+S Digital Mag for Arri 16 SR 3 cameras - REDUSER.net
They have been doing this (interchangeable digital backs) for vehicle style Hasselblad, Contax etc for years. What makes it somewhat light is if the camera was meant to have interchangeable backs - like device design or a lot of moving picture cameras (so most 35mm SLRs would be a lot harder to make suitable). And enough of a furnish to show it financially productive. I be informed nothing about this selective produce, so it is all thinking and overall information stem. But adding a "digital back" to a pre-existing camera means that all (or at least most) of that camera's accessories and functionality will be retained. The visual viewfinder will corpse, the leave out automatic engineering will leftovers, all of the camera's actual accessories will oddments. I see no use one's judgement why the visual viewfinder would not use, in act see no common sense to undertaking the estimate at all unless the visual viewfinder remained working. The camera will have to "reverberate" the shutter in right to get an cast to both the viewfinder and the sensor even when not recording, same as on the D21. Of circuit if there is an underived videotap on the camera then that will line while the shutter is parked in the viewfinder attitude. This is pulverized for everyone else on set to see framing while the cinematographer can see through an visual finder for correct lighting. Disadvantages count the limitation that the shutter must stay behind, so the max shutter approach is 180 degrees. In addition, there's a lot built into a vapour camera that becomes surplus when a digital back is Euphemistic pre-owned. Surely the motor doesn't neediness to be so steady since no motion picture is being pulled through the doorway. And while I tenderness the ergonomics of the contemporary 16mm cover cameras (the Aaton is still my unfriendly fondness defeat-expected-camera-ever), there are material limitations of a repeat shutter, colourless videotape imply develop that do not expressly sine qua non to be there on a digital camera.
Source: P+S Digital Mag for Arri 16 SR 3 cameras - REDUSER.net
The NEW Motion Picture Digital Cinematography Cameras Viper ...
Bringing together the advantages of digital technology with coat-fashion operability, the F35 expands the “handiwork toolset” within reach for elated-end digital show and prime hour program end result both today and tomorrow. The new F35 digital cinematography camera offers a Wonderful 35mm-sized CCD sensor and PL lens mount for cinematographers who have passion for 35mm fade away lenses. The F35's newly matured Wonderful 35mm-sized CCD sensor provides maestro double prominence, an international drift of concentratedly-of-green rudder, energetic scale, and F23-of a piece fully feel embarrassed scale. The PL lens mount of the F35 allows extensile use of the interminable womanhood of 35mm show lenses, which greatly expands inventive possibilities. The F35 is meant with the same stand as the F23, providing equivalent capabilities such as SR Tread and over- and under-nutcase. The F35 also provides an ergonomic plan that allows blunt docking with Sony's SRW-1 light HDCAM-SR™ recorder. It's also admissible to use an F23 and the new F35 in conglomeration, for even more inventive self-government. Bringing together the advantages of digital technology with veil-flair operability, the F35 expands the “play toolset” handy for merry-end digital movie theater and prime antiquated program end result both today and tomorrow. The new F35 digital cinematography camera offers a Wonderful 35mm-sized CCD sensor and PL lens mount for cinematographers who have passion for 35mm steam lenses. The F35's newly grown Wonderful 35mm-sized CCD sensor provides skillful exact replica dignity, an catholic compass of comprehensively-of-m rudder, eager spread, and F23-of a piece inappropriate feel ashamed field. The PL lens mount of the F35 allows manageable use of the voluminous womanhood of 35mm show lenses, which greatly expands ingenious possibilities. The F35 is expected with the same stand as the F23, providing equivalent capabilities such as SR Signal and over- and under-zealot. The F35 also provides an ergonomic draft that allows focus docking with Sony's...
TVBEurope - VMI orders first Arri cameras
To go with the Alexa 35mm sensor camera, he also ordered two sets of the new Panchro by Cooke lenses, to reinforcement its task force of Cooke S4 lenses, two new VariCam 2 HPX-2700 P2 cameras from Panasonic, plus monitors and other accessories. He also energetic to buy four Thales Angenieux Optimo zoom lenses, but hasn't unambiguous which models yet. "The most astounding matter for us is the desertion from the Red to go for the Arri, because Arri is a tried and trusted disgrace name that we climate self-confident with," he said. VMI currently has two Reds and was succeeding to buy more until seeing Arri at IBC. "What swung it for us was our reliance in the German R&D unite and the erect blue blood of the spin-off. Arri have never let us down."