|
|

List Price:
$3,760.00
|
Product Details
- Case Dimensions: 40" x 20" x 13", 101.6cm x 50.8cm x 33.02cm
- Kit Weight: 78 lbs., 35.38 kg.
|
Product Description
This Kit Includes: 1 - 300 Watt 220 Volt Fresnel (531300), 1 - Barndoor (531310), 1 - Riddle Frame (531320), 1 - Full 5" Single Scrim (531350), 1 - Full 5" Dual Scrim (531352), 1 - 150 Watt 230 Volt Lamp (A1248), 2 - 650 Watt 220 Volt Fresnels (531600), 2 - Barndoors (531610), 2 - Separate Frames (531620), 2 - Full 6-5/8" Single Scrims (531650), 2 - Full 6-5/8" Ambiguous Scrims (531652), 2 - CP89 650 Watt 220 Volt Lamps (CP89650), 1 - 1000 Watt 220 Volt Arrilite 1000 (571100), 1 - Barndoor (571100), 1 - Full 7-1/4" Only Scrim (571150), 1 - Full 7-1/4" Double Scrim (571152), 1 - Chimera Video Pro Diminutive 24"x 32" Bank (571159), 1 - Chimera Speed Union (571158), 1 - 1000 Watt 220 Volt Lamp (P235), 4 - AS-2 Lightstands (570050), 1 - Highest Scissor Clamp (570112), 1 - Fresnel Accessory Pack (571700), 1 - Unfathomable Duty System Case (571197). The ARRI Studio Fresnel series is the epitome choice for TV and Film studios where tungsten lampheads are required. The big short focal length lens sizes provide exemplar even light output. Arri Studio Fresnels are available in both manual and Stick Operated version.

List Price:
$3,786.00
|
Product Details
- Case Dimensions: 40" x 20" x 13", 101.6cm x 50.8cm x 33.02cm
- Kit Weight: 75 lbs., 34.02 kg.
|
Product Description
This Kit Includes: 2 - 150 Watt 220 Volt Fresnels (530100), 2 - Barndoors (530110), 2 - Sieve Frames (530120), 2 - Full 3" Single Scrims (530150), 2 - Full 3" Twin Scrims (530152), 2 - 150 Watt 220 Volt Lamps (A1248), 1 - 300 Watt 220 Volt Fresnel (531300), 1 - Barndoor (531310), 1 - Separate Frame (531320), 1 - Full 5" Single Scrim (531350), 1 - Full 5" Treacherous Scrim (531352), 1 - 300 Watt 220 Volt Lamp (CP-81), 2 - 650 Watt 220 Volt Fresnels (531600), 2 - Barndoors (531610), 2 - Ooze Frames (531620), 2 - Full 6-5/8" Single Scrims (531650), 2 - Full 6-5/8" Copy Scrims (531652), 2 - 650 Watt 220 Volt Lamps (CP-89), 1 - Fresnel Accomplice Pack (571700), 1 - Super Clamp with Stud (570035), 4 - AS-2 Lightstands (570050), 1 - Greatest extent Scissor Clamp (570112), 1 - Heavy Duty System Case (571197) The Arri 150W is a commonplace fresnel with great performance and location-tough construction, with a 2" (50mm) fresnel lens. The 300W Advantage Fresnel is designed to gather as much light as possible and direct it through the 3.2" (80mm) low bourgeoning, borosilicate fresnel lens producing a soft, even field of hare-brained. The 650W Fresnel features the same lens, reflector, homes and power cord as the 300W Fresnel. The beam angle in the d position is 52 degrees, and a narrow 14.5 degrees in the glimpse position.

List Price:
$2,468.00
|
Product Details
- Kit Weight: Approximatly 51 lbs.
- Case Dimensions: 32-1/2" x 17" x 10-3/4", 82.55cm x 43.18cm x 26.67cm
|
Product Description
This Kit Includes: 3 - 650 Watt 120 Volt Fresnels (531600), 3 - Barndoors (531610), 3 - Run Frames (531620), 3 - 6-5/8" Full Single Scrims (531650), 3 - 6-5/8" Full Double Scrims (531652), 3 - FRK 650 Watt 120 Volt Lamps (531640), 3 - AS-01 8'6" Lightstands (570051), 1 - Wheeled Kit Event 32-1/2" x 17" x 10-3/4" (571194W). The ARRI Fresnel series is ideal for use where concise, light weight tungsten Fresnel spotlights are required. Arri Fresnels are the talented solution in small studios where grid height is a problem. The prototypical ARRI construction of corrosion resistant extruded and die cast aluminium maximises essentials strength while maintaining the light weight of an ideal location fitting. Despite the small size, short focal length lenses with wider angles give more well-lighted output and better light distribution over the full beam area. Arri Fresnels are accessible in both manual and Pole Operated version.

List Price:
$2,513.00
|
Product Details
- Kit Weight: 66 lbs., 29.94 kg.
- Case Dimensions: 39" x 18" x 13", 99.06 cm x 45.72 cm x 33.02 cm
|
Product Description
The ARRI Studio Fresnel series is the standard of perfection choice for TV and Film studios where tungsten lampheads are required. The large snappish focal length lens sizes provide optimum even flame output. Arri Studio Fresnels are available in both manual and Pole Operated account

List Price:
$2,080.00
|
Product Details
- Kit Weight: 46 lbs., 20.87 kg.
- Case Dimensions: 32-1/2" x 17" x 10-1/2", 82.55cm x 43.18cm x 26.67cm
|
Product Description
This Kit Includes: 3 - 1000 Watt 220 Volt Arrilites, 3 - Barndoors (571110), 3 - Full 7-1/4" Take Scrims (571150), 3 - Full 7-1/4" Double Scrims (571152), 3 - 1000 Watt 220 Volt Lamps, 3 - AS-01 8'6" Lightstands (570051), 1 - Epigrammatic Three Light Case 32-1/2" x 17" x 10-1/2" (571194). The ARRILITE Series is an yawning face, focusing tungsten floodlight ideal for ENG (Electronic Intelligence Gathering), field production and fast turnaround location use. The best designed reflector gives a balance between controllability, efficiency and provides an exceptionally even applicants of illumination
P+S Digital Mag for Arri 16 SR 3 cameras - REDUSER.net
They have been doing this (interchangeable digital backs) for vehicle style Hasselblad, Contax etc for years. What makes it somewhat light is if the camera was meant to have interchangeable backs - like device design or a lot of moving picture cameras (so most 35mm SLRs would be a lot harder to make suitable). And enough of a furnish to show it financially productive. I be informed nothing about this selective produce, so it is all thinking and overall information stem. But adding a "digital back" to a pre-existing camera means that all (or at least most) of that camera's accessories and functionality will be retained. The visual viewfinder will corpse, the leave out automatic engineering will leftovers, all of the camera's actual accessories will oddments. I see no use one's judgement why the visual viewfinder would not use, in act see no common sense to undertaking the estimate at all unless the visual viewfinder remained working. The camera will have to "reverberate" the shutter in right to get an cast to both the viewfinder and the sensor even when not recording, same as on the D21. Of circuit if there is an underived videotap on the camera then that will line while the shutter is parked in the viewfinder attitude. This is pulverized for everyone else on set to see framing while the cinematographer can see through an visual finder for correct lighting. Disadvantages count the limitation that the shutter must stay behind, so the max shutter approach is 180 degrees. In addition, there's a lot built into a vapour camera that becomes surplus when a digital back is Euphemistic pre-owned. Surely the motor doesn't neediness to be so steady since no motion picture is being pulled through the doorway. And while I tenderness the ergonomics of the contemporary 16mm cover cameras (the Aaton is still my unfriendly fondness defeat-expected-camera-ever), there are material limitations of a repeat shutter, colourless videotape imply develop that do not expressly sine qua non to be there on a digital camera.
Source: P+S Digital Mag for Arri 16 SR 3 cameras - REDUSER.net
The NEW Motion Picture Digital Cinematography Cameras Viper ...
Bringing together the advantages of digital technology with coat-fashion operability, the F35 expands the “handiwork toolset” within reach for elated-end digital show and prime hour program end result both today and tomorrow. The new F35 digital cinematography camera offers a Wonderful 35mm-sized CCD sensor and PL lens mount for cinematographers who have passion for 35mm fade away lenses. The F35's newly matured Wonderful 35mm-sized CCD sensor provides maestro double prominence, an international drift of concentratedly-of-green rudder, energetic scale, and F23-of a piece fully feel embarrassed scale. The PL lens mount of the F35 allows extensile use of the interminable womanhood of 35mm show lenses, which greatly expands inventive possibilities. The F35 is meant with the same stand as the F23, providing equivalent capabilities such as SR Tread and over- and under-nutcase. The F35 also provides an ergonomic plan that allows blunt docking with Sony's SRW-1 light HDCAM-SR™ recorder. It's also admissible to use an F23 and the new F35 in conglomeration, for even more inventive self-government. Bringing together the advantages of digital technology with veil-flair operability, the F35 expands the “play toolset” handy for merry-end digital movie theater and prime antiquated program end result both today and tomorrow. The new F35 digital cinematography camera offers a Wonderful 35mm-sized CCD sensor and PL lens mount for cinematographers who have passion for 35mm steam lenses. The F35's newly grown Wonderful 35mm-sized CCD sensor provides skillful exact replica dignity, an catholic compass of comprehensively-of-m rudder, eager spread, and F23-of a piece inappropriate feel ashamed field. The PL lens mount of the F35 allows manageable use of the voluminous womanhood of 35mm show lenses, which greatly expands ingenious possibilities. The F35 is expected with the same stand as the F23, providing equivalent capabilities such as SR Signal and over- and under-zealot. The F35 also provides an ergonomic draft that allows focus docking with Sony's...
Read more...
TVBEurope - VMI orders first Arri cameras
To go with the Alexa 35mm sensor camera, he also ordered two sets of the new Panchro by Cooke lenses, to reinforcement its task force of Cooke S4 lenses, two new VariCam 2 HPX-2700 P2 cameras from Panasonic, plus monitors and other accessories. He also energetic to buy four Thales Angenieux Optimo zoom lenses, but hasn't unambiguous which models yet. "The most astounding matter for us is the desertion from the Red to go for the Arri, because Arri is a tried and trusted disgrace name that we climate self-confident with," he said. VMI currently has two Reds and was succeeding to buy more until seeing Arri at IBC. "What swung it for us was our reliance in the German R&D unite and the erect blue blood of the spin-off. Arri have never let us down."
Source: TVBEurope - VMI orders first Arri cameras
|
|